Gesù Bambino by Pietro Yon has always had a place in my childhood memories since my church choir sang it every Christmas. Other than that, it didn’t seem to be too well known but this song has been turning up in piano books lately.
Gesù bambino was written in 1917. The melody was used by Frederick H. Martens in his English language carol “When Blossoms Flowered ‘mid the Snows”. The melody and lyrics of the chorus are derived from “Adeste Fideles” (O Come All Ye Faithful).
A piano version
Piano and Organ
Sung by David Archuleta and the Mormon Tabernacle Choir
Brian Stevenson, the esteemed Director of Handbell Ministries at Pender United Methodist Church, brings a touch of celestial harmony to the holiday season with his exquisite harp performances. Stevenson, renowned for his musical prowess, transforms the harp strings into a cascade of festive melodies, enchanting audiences with his renditions.
His repertoire for the season is a delightful blend of classic and contemporary, featuring the joyful peals of “Ding Dong Merrily On High,” the celestial echoes of “Angels We Have Heard On High,” and the heartwarming strains of “Have Yourself A Merry Little Christmas.” Each piece, under Stevenson’s skillful touch, becomes a vivid tapestry of sound, weaving the spirit of Christmas into every note.
The experience of listening to Stevenson play is akin to being enveloped in a serene, festive atmosphere, where each chord carries the essence of the season’s joy and peace. His performances are not just musical events; they are journeys through the heart of Christmas, leaving listeners mesmerized and uplifted.
“Good King Wenceslas” is a popular Christmas carol that tells a story of Good King Wenceslas braving harsh winter weather to give alms to a poor peasant on the Feast of Stephen (the second day of Christmas, December 26). During the journey, his page is about to give up the struggle against the cold weather, but is enabled to continue by following the king’s footprints, step for step, through the deep snow. The legend is based on the life of the historical Saint Wenceslaus I, Duke of Bohemia or Svatý Václav in Czech (907–935).
In 1853, English hymnwriter John Mason Neale wrote the “Wenceslas” lyrics, in collaboration with his music editor Thomas Helmore, and the carol first appeared in Carols for Christmas-Tide, 1853. Neales’ lyrics were set to a tune based on a 13th century spring carol “Tempus adest floridum” (“The time is near for flowering”) first published in the 1582 Finnish song collection Piae Cantiones.
Good King Wenceslas looked out
On the feast of Stephen
When the snow lay round about
Deep and crisp and even
Brightly shone the moon that night
Though the frost was cruel
When a poor man came in sight
Gath’ring winter fuel
“Hither, page, and stand by me
If thou know’st it, telling
Yonder peasant, who is he?
Where and what his dwelling?”
“Sire, he lives a good league hence
Underneath the mountain
Right against the forest fence
By Saint Agnes’ fountain.”
“Bring me flesh and bring me wine
Bring me pine logs hither
Thou and I will see him dine
When we bear him thither.”
Page and monarch forth they went
Forth they went together
Through the rude wind’s wild lament
And the bitter weather
“Sire, the night is darker now
And the wind blows stronger
Fails my heart, I know not how,
I can go no longer.”
“Mark my foteps, my good page
Tread thou in them boldly
Thou shalt find the winter’s rage
Freeze thy blood less coldly.”
In his master’s steps he trod
Where the snow lay dinted
Heat was in the very sod
Which the Saint had printed
Therefore, Christian men, be sure
Wealth or rank possessing
Ye who now will bless the poor
Shall yourselves find blessing
“We Three Kings”, also known as “We Three Kings of Orient Are” or “The Quest of the Magi”, is a Christmas carol written by the Reverend John Henry Hopkins, Jr., who wrote both the lyrics and the music.
We three kings of Orient are
Bearing gifts we traverse afar
Field and fountain, moor and mountain
Following yonder star
O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to thy Perfect Light
Born a King on Bethlehem’s plain
Gold I bring to crown Him again
King forever, ceasing never
Over us all to reign
O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light
Frankincense to offer have I
Incense owns a Deity nigh
Prayer and praising, all men raising
Worship Him, God most high
O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light
Myrrh is mine, its bitter perfume
Breathes of life of gathering gloom
Sorrowing, sighing, bleeding, dying
Sealed in the stone-cold tomb
O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light
Glorious now behold Him arise
King and God and Sacrifice
Alleluia, Alleluia
Earth to heav’n replies
O Star of wonder, star of night
Star with royal beauty bright
Westward leading, still proceeding
Guide us to Thy perfect light
From Mannheim Steamroller, Chip Davis gives this song an “Arabian Nights” feel. A classic song that tells the story of the Gentiles who were quicker to recognize the significance of Christ’s birth than were His own people. Enjoy, and Merry Christmas!
“The First Nowell,” also known as “The First Noël,” is a carol steeped in the rich tapestry of English musical tradition, a gem that has been passed down through the ages, possibly originating as far back as the 18th century, or even earlier. This carol is not just a song; it’s a historical artifact, echoing the voices and sentiments of generations past.
The title “Nowell” is derived from the French word “Noël,” meaning “Christmas,” which in turn traces its roots back to the Latin “natalis,” signifying “birthday.” This linguistic journey across cultures and times adds a layer of depth to the carol, connecting it to the universal celebration of Christmas and the joy of birth and renewal.
What sets “The First Nowell” apart in the realm of English folk music is its unique melodic structure. It is built on a captivatingly simple yet profound musical pattern: one melodic phrase, so pure and resonant, repeated twice, followed by a reflective refrain. This refrain is not just a repetition but a subtle variation, a creative twist on the original theme. Remarkably, all three phrases culminate on the third of the scale, a musical choice that lends the carol a sense of completion and emotional fulfillment.
This carol is not just a melody but a journey through musical creativity, where simplicity and repetition weave a spell of enchantment. It’s a testament to the timeless beauty of folk music, where less is often more, and where the power of a melody can resonate through centuries, bringing the spirit of Christmas alive in the hearts of all who hear it. “The First Nowell” is not just sung; it is felt and experienced, a classic embodiment of the Christmas spirit.
The first Noel the angel did say
Was to certain poor shepherds in fields as they lay;
In fields where they lay tending their sheep,
On a cold winter’s night that was so deep.
Refrain
Noel, Noel, Noel, Noel, Born is the King of Israel.
They lookèd up and saw a star
Shining in the east, beyond them far;
And to the earth it gave great light,
And so it continued both day and night.
Refrain
And by the light of that same star
Three Wise Men came from country far;
To seek for a King was their intent,
And to follow the star wherever it went.
Refrain
This star drew nigh to the northwest,
Over Bethlehem it took its rest;
And there it did both stop and stay,
Right over the place where Jesus lay.
Refrain
Then did they know assuredly
Within that house the King did lie;
One entered it them for to see,
And found the Babe in poverty.
Refrain
Then entered in those Wise Men three,
Full reverently upon the knee,
And offered there, in His presence,
Their gold and myrrh and frankincense.
Refrain
Between an ox stall and an ass,
This Child truly there He was;
For want of clothing they did Him lay
All in a manger, among the hay.
Refrain
Then let us all with one accord
Sing praises to our heavenly Lord;
That hath made Heaven and earth of naught,
And with His blood mankind hath bought.
Refrain
If we in our time shall do well,
We shall be free from death and hell;
For God hath prepared for us all
A resting place in general.
Refrain
On the first Sunday of Advent, December 3, 2023, Pender’s Carillon Ringerspresented “The First Noel” as the Prelude. This rendition of the beloved Christmas carol offers a magical and ethereal experience, prioritizing musical expression over technical complexity. The result is an elegant, moving, and beautifully crafted piece.
Our arrangement arranged was by arr. Sandra Eithun and introduced a simple yet captivating rhythmic motif withchimes, which resonate throughout the piece, breathing new life into this timeless standard.
“The First Noel” is a cherished holiday carol, hailing from 19th-century Boston, Massachusetts. Traditionally played in churches and festive gatherings during the Christmas season, the song narrates the story of ringing bells to herald the birth of Jesus Christ. Known for inducing feelings of joy, excitement, and embodying the Christmas spirit, “The First Noel” is set in the key of D major and is typically performed at a fast tempo.
The University of Utah Singers perform “The First Noel” arr. by Dan Forrest live in concert, December 11th & 12th, 2009 in Libby Gardner concert hall under the direction of Dr. Brady Allred.
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