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Hymn History: Standing on the Promises

 

“Standing on the Promises”
R. Kelso Carter
UM Hymnal, No. 374

The Pender UMC Traditional Service Middle Hymn “Standing on the Promises”, Sunday February 25, 2024 was played by Hetty Jacobs on piano and sung by the Sanctuary Choir and congregation.  This was the second Sunday in Lent.

“Standing on the Promises” was the middle hymn at Pender’s 9:00 am Traditional Service on June 18, 2023 It was sung by Pender’s congregation, accompanied on piano by Heidi Jacobs and guitar by Brian Stevenson.

The Pender UMC Traditional Service Opening Hymn “Standing on the Promises” on Sunday November 6, 2022 was played by Liz Eunji Moon on piano, accompanied on guitar by Brian Stevenson and sung the Pender Sanctuary Choir and congregation.

Standing on the promises of Christ my King,
Through eternal ages let his praises ring;
Glory in the highest, I will shout and sing,
Standing on the promises of God.

Russell Kelso Carter (1849-1928) was a man of diverse interests and abilities. A native of Baltimore, Md., Carter was known as an outstanding athlete in his younger days. The Methodist Holiness camp meeting movement had a profound impact on his life and he was ordained into ministry in 1887.

Carter held a number of teaching posts at the Pennsylvania Military Academy including professor of chemistry, natural science, civil engineering and mathematics. Not only did he teach, but he also published text books in his various disciplines and even authored several novels. Other interests included sheep-raising and practicing medicine.

If this were not enough, Carter also edited hymnals. He assisted A.B. Simpson in the compilation of a hymnal for the Christian and Missionary Alliance Church, Hymns of the Christian Life (1891), a collection that contained 68 of his tunes and 52 of his texts.

“Standing on the Promises” was composed in 1886 while Carter was teaching at the military academy. He was a member of the first graduating class in 1867 and had a strong affinity for the school. Author Phil Kerr makes a connection between the music and the military academy in his book, Music in Evangelism, stating that Carter’s military experience was reflected in the martial musical style of the hymn.

Published the year it was written in the collection, Songs of Perfect Love, edited by John K. Sweeny and Carter, the original text had five stanzas. The missing stanza reads:

Standing on the promises I now can see
Perfect, present cleansing in the blood for me;
Standing in the liberty where Christ makes free,
Standing on the promises of God.

The second line of this stanza has a particular Wesleyan tone with its focus on perfection and cleansing blood. The Rev. Carlton Young, editor of the UM Hymnal, notes: “As in other single-theme evangelical hymns and songs of this period, the biblical source of the hymn is not clear. ‘Stand firm’ from Ephesians 6:14 has often been cited as the theme of the hymn, although the word ‘promise’ tends to be reinforced as well.”

Thus, two passages of Scripture seem to undergird the central premise of this gospel song: “Stand firm then, with the belt of truth buckled around your waist, with the breastplate of righteousness in place. . . .” (Ephesians 6:14). Several passages relate to the promises of God including 2 Samuel 22:31: “As for God, his way is perfect; the word of the LORD is tried; he is a buckler to all them that trust in him.”

Dr. Young points out that this hymn was not included in authorized hymnals for Methodists (or in the 1957 hymnal of the Evangelical United Brethren Church) until the current hymnal. He states, “Its place in our hymnal came from its inclusion in a list of hymns determined to be widely used by evangelical United Methodists.”

As is the case of many gospel songs, this song revolves around its refrain. The stanzas, rather than serving to develop a sequential train of thought, are more like the spokes of a bicycle—all serving as an entry point to the refrain from various perspectives. One could reorder the stanzas and not lose any train of thought.

Hymnologist Kenneth Osbeck places the hymn in its context: “The hymn has been widely used in the great evangelistic crusades throughout the past century.” It is in this context that its single focus and rousing, martial music may be best suited.

Adapted from https://www.umcdiscipleship.org/resources/history-of-hymns-stirring-promises-serves-as-popular-crusade-hymn

 

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Lenten Hymn and Devotion, Week 4

Lenten Hymn and Devotion 4, Beneath the Cross of Jesus

Brian Stevenson, Pender UMC Director of Handbells and Ensembles, presents a series of hymn-based devotions on Wednesdays during Lent.

The Fourth is Beneath the Cross of Jesus

1. Beneath the cross of Jesus
I fain would take my stand,
the shadow of a mighty rock
within a weary land;
a home within the wilderness,
a rest upon the way,
from the burning of the noontide heat,
and the burden of the day.

2. Upon that cross of Jesus
mine eye at times can see
the very dying form of One
who suffered there for me;
and from my stricken heart with tears
two wonders I confess:
the wonders of redeeming love
and my unworthiness.

3. I take, O cross, thy shadow
for my abiding place;
I ask no other sunshine than
the sunshine of his face;
content to let the world go by,
to know no gain nor loss,
my sinful self my only shame,
my glory all the cross.

The United Methodist Hymnal Number 297

 

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Lenten Hymn and Devotion, Week 3

Brian Stevenson, Pender UMC Director of Music, presents a series of hymn-based devotions at noon on Wednesdays during Lent.

The Third is When I Survey the Wondrous Cross

1. When I survey the wondrous cross

on which the Prince of Glory died;

my richest gain I count but loss,

and pour contempt on all my pride.

2. Forbid it, Lord, that I should boast,

save in the death of Christ, my God;

all the vain things that charm me most,

I sacrifice them to his blood.

3. See, from his head, his hands, his feet,

sorrow and love flow mingled down.

Did e’er such love and sorrow meet,

or thorns compose so rich a crown.

4. Were the whole realm of nature mine,

that were an offering far too small;

love so amazing, so divine,

demands my soul, my life, my all.

The United Methodist Hymnal Number 298

Text: Isaac Watts, 1674-1748

Music: Lowell Mason, 1792-1872

Tune: HAMBURG, Meter: LM

and

The United Methodist Hymnal Number 299

Text: Isaac Watts, 1674-1748

Music: Anonymous; arr. by Edward Miller

Tune: ROCKINGHAM, Meter: LM

 

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Lenten Hymn and Devotion, Week 2

Brian Stevenson, Pender UMC Director of Music, presents a series of hymn-based devotions at noon on Wednesdays during Lent.

The Second Hymn-based Devotion is Ah, Holy Jesus

Ah, holy Jesus, how hast Thou offended,

That man to judge Thee hath in hate pretended?

By foes derided, by Thine own rejected,

O most afflicted.

Who was the guilty- Who brought this upon Thee?

Alas, my treason, Jesus, hath undone Thee.

Twas I, Lord, Jesus, I it was denied Thee!

I crucified Thee.

For me, kind Jesus, was Thine incarnation,

Thy mortal sorrow, and Thy life’s oblation;

Thy death of anguish and Thy bitter passion,

For my salvation.

Lo, the Good Shepherd for the sheep is offered;

The slave hath sinned, and the Son hath suffered;

For our atonement, while he nothing heedeth,

God intercedeth.

Therefore, kind Jesus, since I cannot pay Thee,

I do adore Thee, and will ever pray Thee,

Think on Thy pity and Thy love unswerving,

Not my deserving.

The United Methodist Hymnal Number 289

Text: Johann Heermann

Music: Johann Crüger (1640)

Tune: HERZLIEBSTER JESU

 
 

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Lenten Hymn and Devotion, Week 1

 

Brian Stevenson, Pender UMC Director of Music, presents a series of hymn-based devotions on Wednesdays during Lent.

The first is Jesus Keep Me Near the Cross by Fanny Crosby

Jesus, keep me near the cross;

there a precious fountain,

free to all, a healing stream,

flows from Calvary’s mountain.

Refrain:

In the cross, in the cross,

be my glory ever,

till my raptured soul shall find

rest beyond the river.

The United Methodist Hymnal Number 301

Text: Fanny J. Crosby, 1820-1915

Music: William H. Doane, 1832-1915

Tune: NEAR THE CROSS, Meter: 76.76 with Refrain

 

The Pender UMC Traditional Service Middle Hymn “Jesus Keep Me Near the Cross” on Sunday January 29, 2023 was played by Liz Eunji Moon on piano, accompanied on guitar by Brian Stevenson, a student cellist  and sung the Pender Sanctuary Choir and congregation.

 
 

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