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Hymn History: All Saints Day

November 1 is All Saints Day, a sometimes-overlooked holy day in United Methodist congregations. It is not nearly as well known as the day before, All Hallows’ (Saints’) Eve, better known as Halloween, but is far more important in the life of the church.

John Wesley, founder of the Methodist movement, enjoyed and celebrated All Saints Day. In a journal entry from November 1, 1767, Wesley calls it “a festival I truly love.” On the same day in 1788, he writes, “I always find this a comfortable day.” The following year he calls it “a day that I peculiarly love.”

This may sound odd. United Methodists don’t believe in saints. Right?

Well, yes… and no.

Wesley cautioned against holding saints in too high regard.The Articles of Religion that he sent to the Methodists in America in 1784, include a statement against “invocation of saints” (Article XIV—Of Purgatory, Book of Discipline ¶104). Wesley did not see biblical evidence for the practice and discouraged Methodists from participating.

However, he also advised against disregarding the saints altogether.

In an All Saints Day journal entry dated Monday, November 1, 1756, Wesley writes, “How superstitious are they who scruple giving God solemn thanks for the lives and deaths of his saints!” If your 18th century English is as rusty as mine, it might help to know that the word scruple means, “to be unwilling to do something because you think it is improper, morally wrong, etc.” (Merriam-Webster.com).

All Saints Day is an opportunity to give thanks for all those who have gone before us in the faith. It is a time to celebrate our history, what United Methodists call the tradition of the church.

From the early days of Christianity, there is a sense that the Church consists of not only all living believers, but also all who have gone before us. For example, in Hebrews 12 the author encourages Christians to remember that a “great cloud of witnesses” surrounds us encouraging us, cheering us on.

Charles Wesley, John’s brother, picks up on this theme in his hymn that appears in our United Methodist Hymnal as “Come, Let Us Join our Friends Above,” #709. In the first verse, he offers a wonderful image of the Church through the ages:

Let saints on earth unite to sing, with those to glory gone,
for all the servants of our King in earth and heaven, are one.

On All Saints Day we remember all those—famous or obscure—who are part of the “communion of saints” we confess whenever we recite The Apostles’ Creed. We tell the stories of the saints “to glory gone.”

Alongside the likes of Paul from the New Testament, Augustine, Martin Luther, and John and Charles Wesley, we tell stories of the grandmother who took us to church every Sunday. We remember the pastor who prayed with us in the hospital, and the neighbor who changed the oil in the family car. We give thanks for the youth leader who told us Jesus loved us, the kindergarten Sunday school teacher who showered us with that love, and the woman in the church who bought us groceries when we were out of work.

Retelling these stories grounds us in our history. These memories teach us how God has provided for us through the generosity and sacrifice of those who have come before us. The stories of the saints encourage us to be all God has created us to be.

Charles Wesley’s hymn tells us those “to glory gone” are joined by the “saints on earth,” whom we also celebrate on All Saints Day. We think of the inspirational people with whom we worship on Sunday, and those across the world we will never meet. We celebrate fellow United Methodists who inspire us, and those of other denominations whose lives encourage us. We give thanks for those with whom we agree, as well as those whose views we do not share.

Additionally, we remember and pray for our sisters and brothers in Christ who faithfully follow Jesus in places where being labeled a Christian puts them in harm’s way.

On All Saints Day, we recognize that we are part of a giant choir singing the same song. It is the song Jesus taught his disciples; a tune that has resonated for more than 2,000 years; a melody sung in glory and on the earth. Our great privilege is to add our voices to this chorus.

The last verse of “Come, Let Us Join our Friends Above” encourages us to sing faithfully while on earth, so we might join the heavenly chorus one day.

Our spirits too shall quickly join, like theirs with glory crowned,
and shout to see our Captain’s sign, to hear His trumpet sound.

O that we now might grasp our Guide! O that the word were given!
Come, Lord of Hosts, the waves divide, and land us all in heaven.

On All Saints Day, let us give thanks for both the saints in glory and those on earth, who have led us to Jesus. As they have shared the gospel with us, may we add our voices so someone else may hear about the grace and love of our Lord and Savior Jesus Christ.

Thanks be to God for the lives of his saints.

Adapted from https://www.umc.org/en/content/all-saints-day-a-holy-day-john-wesley-loved

 

 
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Posted by on November 1, 2026 in Holidays, Hymn History, Posts of Interest

 

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Hymn History: How Great Thou Art

A favorite hymn is How Great Thou Art

how-great

“Great is the Lord, and greatly to be praised, and His greatness is unsearchable.” Psalm 145:3

“Great is the Lord, and greatly to be praised, and His greatness is unsearchable.” Psalm 145:3

“How Great Thou Art” was the opening hymn at Pender’s 9:00 am Traditional Service on October 1, 2023 It was sung by Pender’s Sanctuary choir, congregation and accompanied on piano by Heidi Jacobs.

“How Great Thou Art” was the opening hymn at Pender’s 9:00 am Traditional Service on October 1, 2023 It was sung by Pender’s Sanctuary choir, congregation and accompanied on piano by Heidi Jacobs.   

“How Great Thou Art” is a Christian hymn based on a Swedish poem written by Carl Gustav Boberg (1859–1940) in Sweden in 1885. The melody is a Swedish folk song.  Its popularity is due in large part to its wide use by gospel singers, notably George Beverly Shea of the Billy Graham Evangelistic Team.

The original Swedish text was a poem entitled “O Store Gud.” written by a Swedish pastor, the Reverend Carl Boberg, in 1886. In addition to being one of the leading evangelical preachers of his day. Boberg was also the successful editor of the periodical Sanningsvittnet. His inspiration for this text is said to have come from a visit to a beautiful country estate on the southeast coast of Sweden. He was suddenly caught in a midday thunderstorm with awe-inspiring moments of flashing violence, followed by a clear brilliant sun. Soon afterwards he heard the calm, sweet songs of the birds in nearby trees. The experience prompted the pastor to fall to his knees in humble adoration of his mighty God, He penned his exaltation in a nine-stanza poem beginning with the Swedish words “O Store Gud, nar jag den varld beskader.”

Several years later Boberg was attending a meeting in the Province of Varmland and was surprised to hear the congregation sing his poem to the tune of an old Swedish melody. It is typically characteristic of many other hymn tunes, i.e., “Day by Day” with its lilting, warm, singable simplicity.

With his original English lyrics and his arrangement of the Swedish folk melody, Mr. Stuart K. Hine published what we know today as the hymn “How Great Thou Art.” Assignments of copyrights and publication rights to an American publishing firm in 1954 helped spread the popularity of this hymn. In April of 1974 the Christian Herald magazine, in a poll presented to its readers, named “How Great Thou Art” the No. 1 hymn in America.

How Great Thou Art

Verse 1:
O Lord my God, When I in awesome wonder,
Consider all the worlds Thy Hands have made;
I see the stars, I hear the rolling thunder,
Thy power throughout the universe displayed.

Chorus:
Then sings my soul, My Saviour God, to Thee,
How great Thou art, How great Thou art.

Then sings my soul, My Saviour God, to Thee,
How great Thou art, How great Thou art!

Verse 2:
When through the woods, and forest glades I wander,
And hear the birds sing sweetly in the trees.
When I look down, from lofty mountain grandeur
And see the brook, and feel the gentle breeze.

Chorus

Verse 3:
And when I think, that God, His Son not sparing;
Sent Him to die, I scarce can take it in;
That on the Cross, my burden gladly bearing,
He bled and died to take away my sin.

Chorus

Verse 4:
When Christ shall come, with shout of acclamation,
And take me home, what joy shall fill my heart.
Then I shall bow, in humble adoration,
And then proclaim: “My God, how great Thou art!”

Chorus

 

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Hymn History: When Jesus the Healer Passed Through Galilee

 

“When Jesus the Healer Passed through Galilee”
Peter D. Smith
The United Methodist Hymnal, No. 263

“When Jesus the Healer Passed Through Galilee” was the closing hymn at Pender’s 9:00 am Traditional Service on September 10, 2023 It was sung by Pender’s Sanctuary choir, congregation and accompanied on piano by Heidi Jacobs.

The Pender UMC Traditional Service Closing Hymn “When Jesus the Healer Passed Through Galilee” on Sunday June 19, 2022 was accompanied by Liz Sellers on piano, Brian Stevenson on guitar and sung by Brian and the Pender Congregation.

During the season of Epiphany, we recall those actions of Jesus, especially the miracles, that demonstrate that he was indeed the Christ, the Son of God. “When Jesus the healer” provides a compendium of many of Christ’s miraculous healing activities.

Peter David Smith was born in Weybridge, Surrey, England, in 1938. After working for a time in the aircraft industry, he became a Methodist minister. A hallmark of his ministry was his gift as a folksinger. Though trained as a classical pianist, the folk guitar became his instrument of choice. He edited several popular song collections including Faith, Folk, and Charity (1968), Faith, Folk and Nativity (1969), Faith, Folk, and Festivity (1969), and New Orbit (1972). These collections appeared during the height of the popularity of the folk music idiom.

The folk idiom in the service of the church provides an immediacy and accessibility to great biblical truths. While classical hymnody often engages through the depth of metaphors and symbolic use of language, the more colloquial language of the folk idiom captures us with its earthiness—what you see is what you get. The music of a successful folksong must be easily learned—captured immediately—or it works against the directness of the language.

Folk Songs often tell stories, or have a narrative quality. The guitar is the preferred instrument of the folksinger. Its portability and accessibility invite participation. An organ or even a piano might separate the singer and the people, both in physical and psychological space, but not the guitar.

In many ways, Christian folk singers of the 1960s and 1970s find their roots in the songs of Woody Guthrie (1912-1967), Pete Seeger (b. 1919) and Bob Dylan (b. 1941), to name a few. However, the prototype of the Christian folksong may be found in Sydney Carter (1915-2004) and his famous “Lord of the Dance” (1963). Carter shocked the faithful and endeared himself to the prophets in the church. While he is known primarily for “Lord of the Dance” in the United States, many more of his songs are commonly sung in England.

The overarching narrative of Jesus as healer guides this hymn. In a mere 22 syllables and a brief refrain, the author opens up an entire healing narrative in each stanza: stanza 1, Luke 4:31-41; stanza 2, Mark 2:3-12; stanza 3, Mark 5:22-24, 35-43; stanza 4, Mark 10:46-52; stanzas 5 and 6, Matthew 10:5-15. A soloist carries the weight of the narrative in the third person while the people respond from the perspective of those needing healing in the first person plural: “Heal us, heal us today!”

Mr. Smith composed this song during a course he was teaching on contemporary worship for the Iona Community in 1975. Later, he served on the editorial committee for the hymnal, Partners in Praise (1979), and this was one of ten contributions by the composer included in its contents.

One stanza was omitted due to sensitivity to discriminatory language and a slight alteration to one line in stanza five was made for the same reason. Other than that, the hymn comes to us as originally composed.

The composer skillfully draws the people into the narrative in the final stanza by pointing out that the need for Christ’s healing power is still with us today: “There’s still so much sickness and suffering today. . . . We gather together for healing and pray: Heal us, Lord Jesus!”

*© 1979 Stainer & Bell, Ltd. Used by permission. All rights reserved.

Dr. Hawn is professor of sacred music at Perkins School of Theology.

Adapted from https://www.umcdiscipleship.org/resources/history-of-hymns-when-jesus-the-healer-passed-through-galilee

 

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Abide With Me

I’m sure that many would think that this is a semi-odd choice for all-time favorite hymn.

My dad was a Congregational (now United Church of Christ) minister so I was pretty regular in church attendance in my younger years.

Some Sunday evenings, he would preach on a circuit and I’d go with him to some of these tiny churches.  The people there, mostly older folks, liked the old hymns best – Fanny Crosby and so on.

So, some of my “favorite hymns” are going to be those that I sang when I was out with my Dad.  Fond memories from long ago.

In 1986 I was finally diagnosed with Cushing’s after struggling with doctors and trying to get them to test for about 5 years.  I was going to go into the NIH (National Institutes of Health) in Bethesda, MD for final testing and then-experimental pituitary surgery.

I was terrified and sure that I wouldn’t survive the surgery.

Somehow, I found a 3-tape set of Readers Digest Hymns and songs of Inspiration and ordered that. The set came just before I went to NIH and I had it with me.

At NIH I set up a daily “routine” of sorts and listening to these tapes was a very important part of my day and helped me get through the ordeal of more testing, surgery, post-op and more.

When I had my kidney cancer surgery, the tapes were long broken, but I had replaced all the songs – this time on my iPod.

Abide With Me was on this tape set and it remains a favorite to this day.  Whenever we have an opportunity in church to pick a favorite, my hand always shoots up and I request page 700.  When someone in one of my handbell groups moves away, we always sign a hymnbook and give it to them.  I sign page 700.

I think that many people would probably think that this hymn is depressing.  Maybe it is but to me it signifies times in my life when I thought I might die and I was so comforted by the sentiments here.

This hymn is often associated with funeral services and has given hope and comfort to so many over the years – me included.

If you abide in Me, and My words abide in you, you will ask what you desire, and it shall be done for you.

~John 15:7

Abide With Me

Words: Henry F. Lyte, 1847.

Music: Eventide, William H. Monk, 1861. Mrs. Monk described the setting:

This tune was written at a time of great sorrow—when together we watched, as we did daily, the glories of the setting sun. As the last golden ray faded, he took some paper and penciled that tune which has gone all over the earth.

Lyte was inspired to write this hymn as he was dying of tuberculosis; he finished it the Sunday he gave his farewell sermon in the parish he served so many years. The next day, he left for Italy to regain his health. He didn’t make it, though—he died in Nice, France, three weeks after writing these words. Here is an excerpt from his farewell sermon:

O brethren, I stand here among you today, as alive from the dead, if I may hope to impress it upon you, and induce you to prepare for that solemn hour which must come to all, by a timely acquaintance with the death of Christ.

For over a century, the bells of his church at All Saints in Lower Brixham, Devonshire, have rung out “Abide with Me” daily. The hymn was sung at the wedding of King George VI, at the wedding of his daughter, the future Queen Elizabeth II, and at the funeral of Nobel peace prize winner Mother Teresa of Calcutta in 1997.

Abide with me; fast falls the eventide;
The darkness deepens; Lord with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.

Swift to its close ebbs out life’s little day;
Earth’s joys grow dim; its glories pass away;
Change and decay in all around I see;
O Thou who changest not, abide with me.

Not a brief glance I beg, a passing word;
But as Thou dwell’st with Thy disciples, Lord,
Familiar, condescending, patient, free.
Come not to sojourn, but abide with me.

Come not in terrors, as the King of kings,
But kind and good, with healing in Thy wings,
Tears for all woes, a heart for every plea—
Come, Friend of sinners, and thus bide with me.

Thou on my head in early youth didst smile;
And, though rebellious and perverse meanwhile,
Thou hast not left me, oft as I left Thee,
On to the close, O Lord, abide with me.

I need Thy presence every passing hour.
What but Thy grace can foil the tempter’s power?
Who, like Thyself, my guide and stay can be?
Through cloud and sunshine, Lord, abide with me.

I fear no foe, with Thee at hand to bless;
Ills have no weight, and tears no bitterness.
Where is death’s sting? Where, grave, thy victory?
I triumph still, if Thou abide with me.

Hold Thou Thy cross before my closing eyes;
Shine through the gloom and point me to the skies.
Heaven’s morning breaks, and earth’s vain shadows flee;
In life, in death, O Lord, abide with me.

~ From a post on another of my blogs, O’Connor Music Studio

 

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Amen

Amen. You may say it every day, but do you even know what it means?

And, for those United Methodists old enough to remember, why is it not at the end of hymns any longer? Chuck explains.

 
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Posted by on September 19, 2026 in Chuck Knows Church, hymns, Videos

 

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