Pender UMC Trunk or Treat Slideshow October 29, 2022. Try to find the Pendersaurus Rex.
Pender UMC Trunk or Treat Slideshow October 29, 2022. Try to find the Pendersaurus Rex.
Update November 4, 2022
Thank you for your generous support of building the flood buckets. Pender completed 11 buckets and we had extra supplies to donate also.
There was even show and tell with some of the Burke UMC preschoolers. The kids were very interested to see what was inside the buckets and what they were for. You’re never too early to learn about missions.
Pender United Methodist Church is requesting that each family donate ONE item in support of our assisting our neighbors in Florida and Puerto Rico who are working through the devastation and impact of natural disasters, specifically hurricanes. It is our hope that everyone will join with us in assisting to build flood bucket cleaning kits that will assist the families.
All items must be new. All cleaning agents must be in liquid form. No powders can be accepted. Items for donation may not be imprinted with cartoon characters, advertisements, religious, patriotic, military, or camouflage symbols.
Requested Cleaning Kit Materials:
One Five-gallon round bucket with lid (14.35″ h x 12.19″ w x1)
One 32-64 oz. bottle liquid laundry
One 16-40 oz. bottle liquid concentrate household cleaner (please, no spray cleaners)
One 16-34 oz. bottle liquid dish soap
One 4-8 oz. pump spray air freshener
One 6-14 oz. pump spray insect repellent (pack of 10-20 wipes also acceptable)
One scrub brush (with or without handle)
18 re-usable cleaning wipes
Five scouring pads
One 50-100 ft. clothesline (cotton or plastic line)
24 roll of heavy-duty trash bags (33-45 gallon sizes)
Five N95 particulate respirator dust masks (1-3 mm thickness)
Two pairs kitchen gloves
One pair work gloves
“Softly and Tenderly Jesus Is Calling”
Will Thompson UM Hymnal, No. 348
The Pender UMC Traditional Service Final Hymn “Softly and Tenderly Jesus Is Calling” on Sunday September 11, 2022 was played by Liz Eunji Moon on piano, accompanied on guitar by Brian Stevenson and sung the Pender Sanctuary Choir and congregation.
Undoubtedly, many readers of this column grew up in a revival tradition that included an extended invitation hymn—a congregational hymn at the conclusion of the service that focused on those attending who may be called by the Holy Spirit to make either a profession of faith or a recommitment of one’s life. In services of this nature, the direction of the entire liturgy points to the sermon and this time of commitment. Our hymn is a classic invitation hymn from the 19th-century revival tradition.
Will Lamartine Thompson (1847-1909) was born in Pennsylvania and died in New York City. He attended Mount Union College in Alliance, Ohio, and the New England Conservatory of Music in Boston, before continuing his musical studies in Leipzig, Germany.
In addition to being a composer of secular, patriotic and gospel songs, Thompson was a music publisher. When his songs were rejected by publishers of his day, he formed his own enterprise, Will L. Thompson & Company, with offices in Chicago and East Liverpool, Ohio. By the 1880s the company expanded beyond publishing music and sold pianos, organs and other instruments and supplies.
The words and music for “Softly and Tenderly Jesus Is Calling” first appeared in Sparkling Gems, Nos. 1 and 2, a collection compiled for Thompson’s company in 1880 by singing-school teacher J. Calvin Bushey.
Other well-known gospel songs by Thompson include “Jesus Is All the World to Me” (UM Hymnal, No. 469), and two with strong eschatological leanings, Lead Me Gently Home, Father” and “There’s a Great Day Coming.”
UM Hymnal editor, the Rev. Carlton R. Young, notes: “This is a typical lullaby in the gospel hymn tradition that characterizes Jesus as a mother, gently rocking and comforting a child. This attribute contributes to the continuing popularity of this genre of religious song that presents Jesus as waiting, caring, and forgiving in intimate—and for many, compelling—metaphors.”
Perhaps Revelation 3:20 captures the spirit of the hymn: “Behold, I stand at the door, and knock: if any man hear my voice, and open the door, I will come in to him, and will sup with him, and he with me.” (KJV) This patient Jesus stands “on the portals . . . waiting and watching . . . for you and for me.”
The second stanza takes a different approach: How can we reject the “pleading” one who offers “pardon”? The third stanza increases in urgency: “Time is now fleeting, the moments are passing . . . shadows are gathering, deathbeds are coming. . . .” The final stanza returns to the theme of Jesus who offers “mercy and pardon” for the sinner.
The genius of a gospel song is usually found in the refrain and this one is no exception. The refrain extends the invitation to “come home” four times in the melody, and an additional two times in the accompanying lower voices.
Interestingly, though “Softly and Tenderly” is the quintessential invitation hymn in the revival tradition, the invitation to “come home” may also be seen as the invitation to join Jesus in heaven. Indeed, two examples attest to this: The hymn was used during the memorial service for assassinated civil rights leader Martin Luther King Jr. at Ebenezer Baptist Church in Atlanta on April 8, 1968. It was also a recurring song in The Trip to Bountiful (1985), an Oscar-winning movie about an older woman in the 1940s who wants to return one last time to her girlhood hometown of Bountiful.
Hymnologist Ernest Emurian told a story associated with this hymn: “When the world-renowned lay preacher, Dwight Lyman Moody, lay on his deathbed in his Northfield, Massachusetts, home, Will Thompson made a special visit to inquire as to his condition. The attending physician refused to admit him to the sickroom, and Moody heard them talking just outside the bedroom door. Recognizing Thompson’s voice, he called for him to come to his bedside. Taking the Ohio poet-composer by the hand, the dying evangelist said, ‘Will, I would rather have written “Softly and Tenderly Jesus Is Calling” than anything I have been able to do in my whole life.’”
Savior, Like a Shepherd Lead Us
attributed to Dorothy A. Thrupp;
The United Methodist Hymnal, No. 381
Savior, like a shepherd lead us,
much we need thy tender care;
in thy pleasant pastures feed us,
for our use thy folds prepare.
Blessed Jesus, blessed Jesus!
Thou hast bought us, thine we are.
The Pender UMC Traditional Service Middle Hymn “Savior Like a Shepherd Lead Us” on Sunday September 11, 2022 was played by Liz Eunji Moon on piano, accompanied on guitar by Brian Stevenson and sung the Pender Sanctuary Choir and congregation.
“Savior, Like a Shepherd Lead Us,” attributed to Englishwoman Dorothy A. Thrupp (1779-1847), is found in almost every Christian hymnal. According to the hymnology website, www.hymnary.org, “Savior, Like a Shepherd Lead Us” appears in 1005 hymnals. It is one hymn that most church members can recognize across denominational lines. What may surprise most churchgoers to know, however, is that for such a well-known and loved hymn of the Christian faith, we know little about how it was written or who the true author was. Its past aside, however, we see that whoever penned these words had a deeply theological message to share.
The mystery of the authorship of the words goes back to the 1830s, when the hymn made its first appearances in Thrupp’s Hymns for the Young (c. 1830) and the Fourth Edition in 1836, but without attribution. Rev. William Carus Wilson published a magazine titled The Children’s Friend (June 1838) and ascribed the poem to “Lyte,” possibly Henry Francis Lyte (1793-1847). British hymnologist J. R. Watson notes, “The authorship remains in doubt; all that can be added is that a stylistic analysis of the vocabulary, rhythm and content would suggest that Thrupp, rather than Henry Francis Lyte, was the author” (Canterbury Dictionary).
The penned words were directly applied to children, and the anonymous writer obviously meant to use this four-stanza hymn for teaching. It was more than twenty years later that the tune we presently know was composed by the American musician William Bradbury (1816-1868). His tune, named after himself, has most often been associated with this text, except in the case of the Episcopalian tradition that paired the text with the tune SICIILIAN MARINERS. When Bradbury composed this tune, however, he modified the original words meant for children and broadened the meaning to include all the congregation. Then, with some modernizing of the language, the text was standardized as it appears today. Since about 1830, the hymn has remained largely untouched. In fact, when the Methodist Book of Hymns shortened the refrain in 1966, the publisher received so many complaints, the full Bradbury version was put back into The United Methodist Hymnal (1989).
One has to wonder why this hymn has been so successful for nearly two hundred years. The most likely answer is found in the theology of the hymn. Since the focus of the original composition was for young children, Thrupp would have wanted to encapsulate the essence and message of a caring Christ who loves all his children. In the first stanza, we see Christ portrayed as a shepherd offering care and guidance to his flock as well as preparing for service and Christian life. This is followed by an acknowledgement that we are Christ’s. Thrupp alludes to Psalm 23 – “pleasant pastures” – and draws upon the image of Christ as the Good Shepherd (John 10:1-18).
Likewise, the second stanza picks up with the idea of possession by Christ and the continued picture of Christ as the Good Shepherd. Now, however, the author shows that we are not only possessed by Christ, but we are also in fellowship with Christ. Christ is our defender and guide, and he will hear us when we pray to him and follow in his footsteps. The author also alludes to the lost sheep (Matthew 18:12-14; Luke 15:3-7), especially in the phrase, “seek us when we go astray.”
The third stanza offers a wonderful picture of the salvation message of Christ—that no one is beyond the reach of God’s love and there is no sin too great to keep us separated from God. Underlying this message is an understanding of original sin, the inherent sinful nature of all of God’s children: “Thou hast promised to receive us,/poor and sinful though we be. . .” Although the concept of original sin finds its roots with St. Augustine (354-430), the sixteenth-century reformers Martin Luther and John Calvin assured the continuation of this theological concept among Protestants. The refrain then acknowledges “We will early turn to Thee,” providing an effective segue into the final stanza – a poetic device known as anadiplosis.
Stanza four reminds us that the original focus of the hymn was on children–with references to seeking Christ early in life: “Early let us seek thy favor;/early let us do thy will. . .”. Thrupp advocated for an early and honest following of Christ that leads us to a place of service and following God’s will. There is a plea for the love of God to be shown through us as the body of Christ and that God’s love will always be present, as he has always loved us.
The picture we get from this hymn, and the reason it has been such a defining song of the church, lies in the fact that it presents the fuller theology of Christian life in one song. This picture of the saving love and grace of God, the salvation message of God, God’s fellowship with us, and the continuing service to God gives us the broader perspective of what the Christian life should be. Thrupp attempted to make the hymn accessible to children, and Bradbury has presented it in a way that is applicable to every Christian. Although this song may have had some vague beginnings, it has a certain future in the church because of its message of hope, love, salvation, and Christian living.