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Tag Archives: Advent

Christmas Music, Part 19 – Gesu Bambino

 

 

Gesù Bambino by Pietro Yon has always had a place in my childhood memories since my church choir sang it every Christmas.  Other than that, it didn’t seem to be too well known but this song has been turning up in piano books lately.

Gesù bambino was written in 1917. The melody was used by Frederick H. Martens in his English language carol “When Blossoms Flowered ‘mid the Snows”. The melody and lyrics of the chorus are derived from “Adeste Fideles” (O Come All Ye Faithful).

A piano version

Piano and Organ

 

Sung by David Archuleta and the Mormon Tabernacle Choir

 

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Christmas Music, Part 18: Harp Music for Christmas

Brian Stevenson, the esteemed Director of Handbell Ministries at Pender United Methodist Church, brings a touch of celestial harmony to the holiday season with his exquisite harp performances. Stevenson, renowned for his musical prowess, transforms the harp strings into a cascade of festive melodies, enchanting audiences with his renditions.

His repertoire for the season is a delightful blend of classic and contemporary, featuring the joyful peals of “Ding Dong Merrily On High,” the celestial echoes of “Angels We Have Heard On High,” and the heartwarming strains of “Have Yourself A Merry Little Christmas.” Each piece, under Stevenson’s skillful touch, becomes a vivid tapestry of sound, weaving the spirit of Christmas into every note.

The experience of listening to Stevenson play is akin to being enveloped in a serene, festive atmosphere, where each chord carries the essence of the season’s joy and peace. His performances are not just musical events; they are journeys through the heart of Christmas, leaving listeners mesmerized and uplifted.

 

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A Chapter a Day: Journey Through Luke This December, Luke 13

Repent or Perish

13 Now there were some present at that time who told Jesus about the Galileans whose blood Pilate had mixed with their sacrifices. 2 Jesus answered, “Do you think that these Galileans were worse sinners than all the other Galileans because they suffered this way? 3 I tell you, no! But unless you repent, you too will all perish. 4 Or those eighteen who died when the tower in Siloam fell on them—do you think they were more guilty than all the others living in Jerusalem? 5 I tell you, no! But unless you repent, you too will all perish.”

6 Then he told this parable: “A man had a fig tree growing in his vineyard, and he went to look for fruit on it but did not find any. 7 So he said to the man who took care of the vineyard, ‘For three years now I’ve been coming to look for fruit on this fig tree and haven’t found any. Cut it down! Why should it use up the soil?’

8 “‘Sir,’ the man replied, ‘leave it alone for one more year, and I’ll dig around it and fertilize it. 9 If it bears fruit next year, fine! If not, then cut it down.’”

Jesus Heals a Crippled Woman on the Sabbath

10 On a Sabbath Jesus was teaching in one of the synagogues, 11 and a woman was there who had been crippled by a spirit for eighteen years. She was bent over and could not straighten up at all. 12 When Jesus saw her, he called her forward and said to her, “Woman, you are set free from your infirmity.” 13 Then he put his hands on her, and immediately she straightened up and praised God.

14 Indignant because Jesus had healed on the Sabbath, the synagogue leader said to the people, “There are six days for work. So come and be healed on those days, not on the Sabbath.”

15 The Lord answered him, “You hypocrites! Doesn’t each of you on the Sabbath untie your ox or donkey from the stall and lead it out to give it water? 16 Then should not this woman, a daughter of Abraham, whom Satan has kept bound for eighteen long years, be set free on the Sabbath day from what bound her?”

17 When he said this, all his opponents were humiliated, but the people were delighted with all the wonderful things he was doing.

The Parables of the Mustard Seed and the Yeast

18 Then Jesus asked, “What is the kingdom of God like? What shall I compare it to? 19 It is like a mustard seed, which a man took and planted in his garden. It grew and became a tree, and the birds perched in its branches.”

20 Again he asked, “What shall I compare the kingdom of God to? 21 It is like yeast that a woman took and mixed into about sixty pounds[a] of flour until it worked all through the dough.”

The Narrow Door

22 Then Jesus went through the towns and villages, teaching as he made his way to Jerusalem. 23 Someone asked him, “Lord, are only a few people going to be saved?”

He said to them, 24 “Make every effort to enter through the narrow door, because many, I tell you, will try to enter and will not be able to. 25 Once the owner of the house gets up and closes the door, you will stand outside knocking and pleading, ‘Sir, open the door for us.’

“But he will answer, ‘I don’t know you or where you come from.’

26 “Then you will say, ‘We ate and drank with you, and you taught in our streets.’

27 “But he will reply, ‘I don’t know you or where you come from. Away from me, all you evildoers!’

28 “There will be weeping there, and gnashing of teeth, when you see Abraham, Isaac and Jacob and all the prophets in the kingdom of God, but you yourselves thrown out. 29 People will come from east and west and north and south, and will take their places at the feast in the kingdom of God. 30 Indeed there are those who are last who will be first, and first who will be last.”

Jesus’ Sorrow for Jerusalem

31 At that time some Pharisees came to Jesus and said to him, “Leave this place and go somewhere else. Herod wants to kill you.”

32 He replied, “Go tell that fox, ‘I will keep on driving out demons and healing people today and tomorrow, and on the third day I will reach my goal.’ 33 In any case, I must press on today and tomorrow and the next day—for surely no prophet can die outside Jerusalem!

34 “Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you, how often I have longed to gather your children together, as a hen gathers her chicks under her wings, and you were not willing. 35 Look, your house is left to you desolate. I tell you, you will not see me again until you say, ‘Blessed is he who comes in the name of the Lord.’[b]”

Footnotes

  1. Luke 13:21 Or about 27 kilograms
  2. Luke 13:35 Psalm 118:26

 

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Pender’s Chrismon Trees

chrismon2

Chrismon Tree. Did you know that Pender has a Chrismon Tree in the sanctuary during Advent and at Christmas time?

Do you know what do those symbols mean on the tree? Who made them and why?

Ornaments made from Christian symbols (or Chrismons, a contraction for ‘Christ monograms’) were first developed by Frances Spencer and the women of the Ascension Lutheran Church in Danville, VA. Many churches display a Chrismon tree during the Advent and Christmas season decorated with handmade ornaments.

Pender’s ornaments were made by our Prayer Shawl Ministry in 2013 (At that time, it was called Casting God’s Love).  This is a sample of what they made using a technique called counted cross stitch:

chrismon

In the video below, Chuck talks about the Chrismon Tree.

 

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Christmas Music, Part 21: “Above All Sing Spiritually”

Nativity set and sheet music for "Away in a Manger" are part of a photo illustration by Kathryn Price, United Methodist Communications.
Nativity set and sheet music for “Away in a Manger” are part of a photo illustration by Kathryn Price, United Methodist Communications.

As you turn the pages of The United Methodist Hymnal during December, often you will end up singing some of the most popular Christmas carols ever composed. Two favorites, “Hark, the Herald Angels Sing” and “Come, Thou Long-Expected Jesus,” were written by Charles Wesley, one of the founders of Methodism.

United Methodist Discipleship Ministries provides an extensive History of Hymns, but here is a short compilation of some of the songs we love the most in this holy season.

“Hark! The Herald Angels Sing”
Written by Charles Wesley within a year of his conversion, this song was first published under the title “Hymn for Christmas Day” in Hymns and Sacred Poems (1739). There is no gentle warmup for this song; it jumps right into the action when the angels appear to the shepherds and herald the birth of Jesus. Much of the text in the first stanza is an adaptation of Luke 2:14. Wesley does inject his own theological interpretation of this grand event with the statement “God and sinners reconciled.” Read more.

“Come, Thou Long-Expected Jesus”
First published in 1744, Charles Wesley also wrote this popular Advent hymn. The song uses imperative verbs like “come,” “rule” and “raise” to enhance our longing for the Savior. The hymn was included in the small collection of hymns Hymns for the Nativity of the Our Lord. Like others published by the Wesley brothers, these collections produced a way to spread Methodist theology, enhance the prayer life of those in the Society, and give them a body of songs to sing when they gathered. Read more.

“O Little Town of Bethlehem”
Phillips Brooks (1835-1893), an Episcopal priest and rector of the Church of the Holy Trinity in Philadelphia, wrote this popular carol. Brooks was inspired when he visited Bethlehem and Jerusalem in 1865. Three years later Brooks wrote the poem/lyrics and Lewis Redner, the organist of the church, added the music. Most renditions of this carol uses Redner’s tune, simply titled “St. Louis.” However, there are at least three other tunes used with Brooks’ lyrics, such as the version often performed during “Nine Lessons and Carols” at Kings College, Cambridge. Read more.

“Angels We Have Heard on High”
The French roots of this carol can be found in the 1700s in “Les Anges dans nos Campagnes,” which means “the angels in the countryside.” The French verses were coupled with a refrain taken from Luke 2:14 in the Latin version of the Bible: “Gloria, in excelsis Deo,” which means “Glory to God in the highest.” The carol was translated to English by Bishop James Chadwick and first published in his 1860 Holy Family Hymns. The traditional tune is attributed to Edward Shippen Barnes, an American organist who studied Yale University from 1910-11 and then briefly at Schola Cantorum in Paris. Read more.

“O Come, O Come Emmanuel”
The roots of this carol date back to the 800s and a series of Latin hymns sung during Advent Vespers. These Great Antiphons (meaning psalm or anthem) were rediscovered by English minister John Mason Neale and published in 1710. He wove together parts of the antiphons to create this song, first published in 1851. The first draft of his song began with “Draw nigh, draw nigh, Emmanuel,” but a later revision restored the tradition of these antiphons by starting the song with “O Come, O Come Emmanuel.” Read more.

“Silent Night”
The original German lyrics “Stille Nacht! Heilige Nacht!” were written in 1816 by Josef Mohr, a Catholic priest from Austria. Tradition holds that two years later, faced with a rusty, broken organ (some say damaged by mice) on Christmas Eve, Mohr gave the lyrics to Austrian headmaster Franz Gruber and asked him to compose the melody on guitar. At first Gruber declined because the guitar was popularly used for drinking songs, but finally agreed and created a Christmas song loved throughout the world. “Silent Night” is said to be one of the songs both English and German soldiers sang together in the great Christmas truce of 1914 during World War I. Read more.

“What Child is This?”
The words to this carol were adapted from a longer poem written by William Chatterton Dix in 1865. Born into a literary family, Dix’s father was a surgeon who also wrote a book about English poet Thomas Chatterton, after whom he named his son. William did not follow his father’s footsteps to medical school; instead he sold insurance and wrote poetry. The melody of this carol comes from the 16th century British melody “Greensleeves,” originally a ballad of a man pining for his lost love. The carol was published in 1871 in Christmas Carols, New and Old. Dix wrote many other hymns, most notably “Alleluia, Sing to Jesus” and “As With Gladness, Men of Old.” Read more.

“Away in a Manger”
Also known as “Luther’s Cradle Hymn,” a popular belief in the early 1900s held that Martin Luther composed this hymn in the 16th century. One published version of the song in 1887 stated that Luther composed it for his children, though it does not appear in his works or in German church history. It is more likely that the carol was written by German Lutherans in Pennsylvania. The first two verses were published in the 1885 Little Children’s Book without an attribution to an author. The author of the third verse (“Be near me, Lord Jesus”) is also unknown. Read more.

“We Three Kings”
John H. Hopkins, Jr. wrote this hymn about the Magi in 1857 for a Christmas pageant at New York City’s General Theological Seminary. Hopkins was a graduate from the Episcopalian seminary and the school’s first instructor of church music. The seminary, located in the wooded, undeveloped northern area of Manhattan, was founded in part through a land gift from Clement Clarke Moore. The son of New York’s Episcopal bishop, Moore’s income and fame were the result of a famous poem he wrote: “Twas the night before Christmas, when all through the house…” Read more.

As you reflect on their meaning and sing these beloved carols during Advent and Christmas, remember the words of John Wesley: “Above all sing spiritually. Have an eye to God in every word you sing… so shall your singing be such as the Lord will approve here, and reward you when he cometh in the clouds of heaven.” (Select Hymns, 1761)

If you’d like to learn more about how Christmas carols can enhance your Advent preparations, take a look at Rev. James Howell’s new book “Why This Jubilee?”

This feature was first published on December 16, 2015.

*Christopher Fenoglio works for UMC.org at United Methodist Communications. Contact him by email or at (615) 312-3734.

Adapted from https://www.umc.org/en/content/christmas-carols-above-all-sing-spiritually

 

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