“Great is the Lord, and greatly to be praised, and His greatness is unsearchable.” Psalm 145:3
“Great is the Lord, and greatly to be praised, and His greatness is unsearchable.” Psalm 145:3
“How Great Thou Art” was the opening hymn at Pender’s 9:00 am Traditional Service on October 1, 2023 It was sung by Pender’s Sanctuary choir, congregation and accompanied on piano by Heidi Jacobs.
“How Great Thou Art” was the opening hymn at Pender’s 9:00 am Traditional Service on October 1, 2023 It was sung by Pender’s Sanctuary choir, congregation and accompanied on piano by Heidi Jacobs.
“How Great Thou Art” is a Christian hymn based on a Swedish poem written by Carl Gustav Boberg (1859–1940) in Sweden in 1885. The melody is a Swedish folk song. Its popularity is due in large part to its wide use by gospel singers, notably George Beverly Shea of the Billy Graham Evangelistic Team.
The original Swedish text was a poem entitled “O Store Gud.” written by a Swedish pastor, the Reverend Carl Boberg, in 1886. In addition to being one of the leading evangelical preachers of his day. Boberg was also the successful editor of the periodical Sanningsvittnet. His inspiration for this text is said to have come from a visit to a beautiful country estate on the southeast coast of Sweden. He was suddenly caught in a midday thunderstorm with awe-inspiring moments of flashing violence, followed by a clear brilliant sun. Soon afterwards he heard the calm, sweet songs of the birds in nearby trees. The experience prompted the pastor to fall to his knees in humble adoration of his mighty God, He penned his exaltation in a nine-stanza poem beginning with the Swedish words “O Store Gud, nar jag den varld beskader.”
Several years later Boberg was attending a meeting in the Province of Varmland and was surprised to hear the congregation sing his poem to the tune of an old Swedish melody. It is typically characteristic of many other hymn tunes, i.e., “Day by Day” with its lilting, warm, singable simplicity.
With his original English lyrics and his arrangement of the Swedish folk melody, Mr. Stuart K. Hine published what we know today as the hymn “How Great Thou Art.” Assignments of copyrights and publication rights to an American publishing firm in 1954 helped spread the popularity of this hymn. In April of 1974 the Christian Herald magazine, in a poll presented to its readers, named “How Great Thou Art” the No. 1 hymn in America.
How Great Thou Art
Verse 1:
O Lord my God, When I in awesome wonder,
Consider all the worlds Thy Hands have made;
I see the stars, I hear the rolling thunder,
Thy power throughout the universe displayed.
Chorus:
Then sings my soul, My Saviour God, to Thee,
How great Thou art, How great Thou art.
Then sings my soul, My Saviour God, to Thee,
How great Thou art, How great Thou art!
Verse 2:
When through the woods, and forest glades I wander,
And hear the birds sing sweetly in the trees.
When I look down, from lofty mountain grandeur
And see the brook, and feel the gentle breeze.
Chorus
Verse 3:
And when I think, that God, His Son not sparing;
Sent Him to die, I scarce can take it in;
That on the Cross, my burden gladly bearing,
He bled and died to take away my sin.
Chorus
Verse 4:
When Christ shall come, with shout of acclamation,
And take me home, what joy shall fill my heart.
Then I shall bow, in humble adoration,
And then proclaim: “My God, how great Thou art!”
“How Beautiful” by Twila Paris was the offertory at Pender’s 9:00 am Traditional Service on July 9, 2023. It was sung by Rachel Kotiah Matos, accompanied on piano by Heidi Jacobs.
Twila Paris sings about the beautiful way Jesus demonstrated love to others while he was in this world. His love was more than warm sentiments. It was an embodied love – a love that expressed God’s compassion through physical actions. His hands served people food. His feet traveled to their homes and villages. His eyes looked upon sinners with joy and acceptance. With his body Jesus demonstrated love to others.
Paris sings about His hands and feet that served and walked to the cross, His heart that forgives all sins, and how His sacrifice inspires her to live a life that is willing to pay the price for her faith. She also talks about how beautiful it is when people spread the good news of His love through their actions and how the church is like a radiant bride waiting for her groom. Overall, the song celebrates the beauty of Christ and His body, the church.
After describing the beauty of Christ’s physical body on earth, the song describes the beauty of Christ’s communal body on earth – his Church. When Christians “live just as he died” – when, like our Savior, we serve others around us through physical expressions of love – the Church is beautiful, too. As the song says, “How beautiful is the body of Christ.”
Our God Reigns, World Communion Sunday, October 5, 2025
On this special Sunday at Pender United Methodist Church, the opening hymn was “Our God Reigns” by Leonard Smith. It was joyfully sung by the Pender Sanctuary Choir and congregation under the direction of Patrick King, Director of Music Ministries, accompanied by Wenru Yang on piano.
This uplifting hymn reminds us of God’s sovereignty and grace that unites believers around the world. On this 17th Sunday after Pentecost, we join Christians everywhere in proclaiming: Our God reigns!
“How lovely on the mountains are the feet of him who brings good news, who proclaims peace, who brings glad tidings, who proclaims salvation, who says to Zion, ‘Your God reigns!’” — Isaiah 52:7
May this song inspire gratitude and unity as we remember that God reigns over all nations, all people, and all hearts.
“Our God Reigns” | Offertory at Pender UMC | January 5, 2025
On January 5, 2025, during a special Epiphany service at Pender United Methodist Church, the offertory featured a moving performance of “Our God Reigns” by Leonard Smith.
The anthem was beautifully sung by the Pender UMC Sanctuary Choir, under the direction of Patrick King, Pender’s Director of Music Ministries, accompanied by Abe Garver on cello and Heidi Jacobs on piano. This heartfelt rendition reminded us of the power and majesty of God’s reign, adding a deeply spiritual element to the worship service.
We are grateful to our singers, Patrick, Abe, and Heidi for sharing their incredible talents and inspiring us through this timeless anthem.
Pender UMC Sanctuary Choir Presented “Our God Reigns”
On August 25, 2024, the Pender UMC Sanctuary Choir, under the direction of Patrick King, delivered a powerful performance of “Our God Reigns” by Leonard E. Smith, Jr., inspired by Isaiah 52:7. This uplifting song, celebrating the message of salvation and God’s sovereignty, was beautifully accompanied by Mark Severeniuk on tuba and Heidi Jacobs on piano.
Isaiah 52:7 speaks of “good news,” originally referring to Israel’s delivery from captivity and return to Jerusalem. Today, Christians sing these words to celebrate our delivery from sin through Christ (Romans 10:15-16), who brings salvation and a restoration of God’s rule, resulting in peace and happiness. The song text skillfully combines Isaiah’s message with the timeless theme from the Psalms: Our God reigns!
Join us in this celebration of faith and let the music remind you of the everlasting reign of our God.
How lovely on the mountains are the feet of him
who brings good news, good news;
Announcing peace, proclaiming news of happiness:
our God reigns, our God reigns!
Refrain:
Our God reigns, our God reigns, our God reigns,
our God reigns, our God reigns!
Leonard E. Smith, Jr., (b. Philadelphia, PA, 1942) composed this song in 1973 in Riverton, New Jersey. Educated at Mount St. Mary’s Seminary in Emmitsburg, Maryland, where he received a BA in philosophy, Smith first taught in public high schools, but his evangelical efforts in the schools created problems, resulting in his dismissal. He then began painting houses to support his family.
One night as he was reading Isaiah 52 he was overwhelmed by the conviction that God was in control of his life and of all creation; he wrote this song that night in just five minutes. The song was first sung at New Covenant Community Church, where Smith served as worship leader. Though not published for some time, it became known internationally when evangelist Bob Mumford included it in his crusades. It was first published in a Servant Publications hymnal, Songs of Praise (vol. 2, 1977). In 1978 Smith added four additional verses. He has published over 130 Scripture songs with New Jerusalem Music Co.
Sometimes you have to reach bottom before you look up to see God at work. Back in 1973, I was out of work again and depressed — actually very depressed. My wife and I had a son, an apartment, a car, and lots of bills to pay. I had also made myself unemployable as a high school teacher with just too much Jesus talk in class. I guess I was naive to think that talking about Jesus was more important than teaching Latin or English literature.
One morning I was reading the Bible and came to Isaiah 52:7: “How lovely on the mountains are the feet of Him Who brings good news, announcing peace, proclaiming news of happiness: your God reigns.” My heart began pounding in my chest because, through what I read, God spoke to me: “You’re going to get through this, and you will be fine. In fact, you’ll do very well.” I just felt the dark cloud lift off me. I picked up my guitar and, in a few minutes, Our God Reigns was born! I had one verse and the chorus. It wasn’t so much that I wrote it as I received it!
How lovely on the mountains are the feet of Him Who brings good news, good news Announcing peace, proclaiming new of happiness Our God reigns, Our God reigns! Our God reigns! Our God reigns! Our God reigns!
A couple of months later, a traveling evangelist visited our church, heard the song, and taught it as he went from church to church. It took me three more years to complete the other verses that made this Scripture chorus into a hymn that went around the world.
After the three big Christian music publishers passed on publishing my song in the late ’70s, I decided to keep the copyright and establish New Jerusalem Music to manage my songs, as well as the songs of our friends and my son, Daniel C. Smith, of the group Danielson Family. The decision to create my own music company worked out incredibly well over the decades. This was the fulfillment of His promise all those years ago when He told me that I would do very well. I know we really do have a Good Shepherd who is guiding us, closing doors, and opening doors.
Every one of us has experienced disappointment and failure and had our hearts broken. But we don’t need to be bitter about it. If we look closely, we’ll see how God worked it out for our good. Over time, we become more understanding, more patient, and kinder to others who have been overlooked and forgotten. We must not forget that suffering is the very thing God uses to refine and strengthen us. Jesus set the pattern that crucifixion comes before resurrection.
I would never have taken up learning how to play the guitar in seminary in the ‘60s if I hadn’t been so desperately lonely for so long. And I would never have started writing Scripture songs if I hadn’t so deeply needed the comfort of the Psalms of David, who also knew something of loss and pain and heartbreak.
Looking back, I’m grateful I was fired from that last teaching job. It proved to be the door God closed before He opened a new door for me. That open door has allowed me to enter into a wonderful new world. Thank you, Lord, for being such a good, loving, kind, faithful Shepherd. I know I’m in Your good hands and that will never change.
“When Jesus the Healer Passed through Galilee”
Peter D. Smith
The United Methodist Hymnal, No. 263
“When Jesus the Healer Passed Through Galilee” was the closing hymn at Pender’s 9:00 am Traditional Service on September 10, 2023 It was sung by Pender’s Sanctuary choir, congregation and accompanied on piano by Heidi Jacobs.
The Pender UMC Traditional Service Closing Hymn “When Jesus the Healer Passed Through Galilee” on Sunday June 19, 2022 was accompanied by Liz Sellers on piano, Brian Stevenson on guitar and sung by Brian and the Pender Congregation.
During the season of Epiphany, we recall those actions of Jesus, especially the miracles, that demonstrate that he was indeed the Christ, the Son of God. “When Jesus the healer” provides a compendium of many of Christ’s miraculous healing activities.
Peter David Smith was born in Weybridge, Surrey, England, in 1938. After working for a time in the aircraft industry, he became a Methodist minister. A hallmark of his ministry was his gift as a folksinger. Though trained as a classical pianist, the folk guitar became his instrument of choice. He edited several popular song collections including Faith, Folk, and Charity (1968), Faith, Folk and Nativity (1969), Faith, Folk, and Festivity (1969), and New Orbit (1972). These collections appeared during the height of the popularity of the folk music idiom.
The folk idiom in the service of the church provides an immediacy and accessibility to great biblical truths. While classical hymnody often engages through the depth of metaphors and symbolic use of language, the more colloquial language of the folk idiom captures us with its earthiness—what you see is what you get. The music of a successful folksong must be easily learned—captured immediately—or it works against the directness of the language.
Folk Songs often tell stories, or have a narrative quality. The guitar is the preferred instrument of the folksinger. Its portability and accessibility invite participation. An organ or even a piano might separate the singer and the people, both in physical and psychological space, but not the guitar.
In many ways, Christian folk singers of the 1960s and 1970s find their roots in the songs of Woody Guthrie (1912-1967), Pete Seeger (b. 1919) and Bob Dylan (b. 1941), to name a few. However, the prototype of the Christian folksong may be found in Sydney Carter (1915-2004) and his famous “Lord of the Dance” (1963). Carter shocked the faithful and endeared himself to the prophets in the church. While he is known primarily for “Lord of the Dance” in the United States, many more of his songs are commonly sung in England.
The overarching narrative of Jesus as healer guides this hymn. In a mere 22 syllables and a brief refrain, the author opens up an entire healing narrative in each stanza: stanza 1, Luke 4:31-41; stanza 2, Mark 2:3-12; stanza 3, Mark 5:22-24, 35-43; stanza 4, Mark 10:46-52; stanzas 5 and 6, Matthew 10:5-15. A soloist carries the weight of the narrative in the third person while the people respond from the perspective of those needing healing in the first person plural: “Heal us, heal us today!”
Mr. Smith composed this song during a course he was teaching on contemporary worship for the Iona Community in 1975. Later, he served on the editorial committee for the hymnal, Partners in Praise (1979), and this was one of ten contributions by the composer included in its contents.
One stanza was omitted due to sensitivity to discriminatory language and a slight alteration to one line in stanza five was made for the same reason. Other than that, the hymn comes to us as originally composed.
The composer skillfully draws the people into the narrative in the final stanza by pointing out that the need for Christ’s healing power is still with us today: “There’s still so much sickness and suffering today. . . . We gather together for healing and pray: Heal us, Lord Jesus!”
“His Eye Is On The Sparrow” was the postlude at Pender’s 9:00 am Traditional Service on September 3, 2023. It was played on piano by Heidi Jacobs.
His Eye Is on the Sparrow
Civilla Martin The Faith We Sing, page No. 2146
“Why should I feel discouraged?
Why should the shadows come?
Why should my heart be lonely
and long for heaven and home?
When Jesus is my portion?
My constant friend is he;
His eye is on the sparrow,
and I know he watches me.”
Civilla Durfee Martin (1866-1948) was born in Nova Scotia and died in Atlanta, Ga. In “His eye is on the sparrow” (1905), she has provided one of the most influential and often-recorded gospel hymns of the 20th century.
Notable versions include recordings by Shirley Ceasar, Marvin Gaye, Kirk Franklin & the Family, Mahalia Jackson, Sister Rosetta Tharpe, Dottie West and Barbara Mandrell.
Jessica Simpson included this song in her album Irresistible (2001). The most stirring renditions of this song are associated for many with actress-singer Ethel Waters, who loved this it so much that it became the title of her autobiography (1950).
Martin was the daughter of James N. and Irene Harding Holden, and was a schoolteacher with modest musical training. Together with her husband, Walter (1862-1935), they often wrote gospel songs for revival meetings. “Be not dismayed” (UM Hymnal, No. 130) is an example of their collaboration.
Walter Stillman Martin was a Baptist minister who received his education at Harvard. He later became a member of the Disciples of Christ, teaching at Atlantic Christian College (now Barton College) in Wilson, N.C., before moving to Atlanta in 1919, a location that became the base for revivals that he held throughout the U.S.
The song was obviously inspired by Matthew 6:26: “Look at the birds of the air; they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?”
Later in Matthew (10:29-31), the Gospel writer continues on this theme: “Are not two sparrows sold for a farthing? And one of them shall not fall on the ground without your Father. But the very hairs of your head are all numbered. Fear ye not therefore, ye are of more value than many sparrows.” Similar thoughts are cited in Luke 12:6-7. Stanza two quotes part of John 14:1 directly, “Let not your heart be troubled…”
Civilla Martin describes the context out of which the hymn was born: “Early in the spring of 1905, my husband and I were sojourning in Elmira, New York. We contracted a deep friendship for a couple by the name of Mr. and Mrs. Doolittle—true saints of God. Mrs. Doolittle had been bedridden for nigh twenty years. Her husband was an incurable cripple who had to propel himself to and from his business in a wheelchair. Despite their afflictions, they lived happy Christian lives, bringing inspiration and comfort to all who knew them. One day while we were visiting with the Doolittles, my husband commented on their bright hopefulness and asked them for the secret of it. Mrs. Doolittle’s response was simple: ‘His eye is on the sparrow, and I know He watches me.’ The beauty of this simple expression of boundless faith gripped the hearts and fired the imagination of Dr. Martin and me. The hymn ‘His Eye Is on the Sparrow’ was the outcome of that experience.”
The next day she mailed the poem to Charles Gabriel, a famous composer of gospel songs, who wrote a tune for it.
The themes of solace in spite of sorrow, and a profound sense of being under the watch-care of Jesus, who is a “constant friend,” offered the African-American community comfort during the Civil Rights movement. The refrain seals the theme by offering an apology for singing—“I sing because I’m happy, I sing because I’m free”—words that would speak to everyone, but especially African Americans.
There is no doubt that African American gospel artist Kirk Franklin was influenced by Martin’s song when he composed “Why we sing” (The Faith We Sing, No. 2144).
