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Bob Chiralo, OrganMaster

I’ve been thinking a bit about shoes lately, specifically organ shoes. Many people probably don’t know that organists usually use special shoes to help them play the pedals on an organ.

When I am learning a new piece, I play barefoot to help feel where my feet should go but when playing in church I always have my Organmaster shoes on.

The About Us page of the Organmaster website says in part:

Organmaster Shoes began in 1976 when an organist, Carol Carlson, struggled to find shoes that would work for organ.  Organmaster Shoes began in 1976 when an organist, Carol Carlson, struggled to find shoes that would work for organ pedaling. She knew that many organists, like herself, were playing in bare feet or slippers. Normal dress shoes did not allow the organist to FEEL what note the foot was touching and were too slippery on the pedals. After years of searching, she finally decided to design the perfect organ shoes and sell them herself!

Her shoes for Toe-Heel Pedal Technique have a FULL HEEL providing solid contact with the pedals and 1 ¼ inches high to avoid injuring a leg muscle.

The shoes are very secure on the foot while playing the pedals. The women’s shoe has an elasticized strap with a buckle and the men’s shoe is a lace-up dress oxford.

However, it is the SUEDE LEATHER SOLES on the bottom of the shoes which make her shoes so special and which her customers rely on to tell what note the foot is touching. The shoes slide over the pedals, but don’t slip off because the suede provides just the right amount of grip allowing the organist to FEEL his or her way across the pedal board. The shoes also play silently on the pedals.

The shoes were an immediate hit producing an overwhelming response by organists. Very soon the shoes were being shipped all over the world. Many organ teachers tell us they require their students to wear our shoes as well.

Organ legend Virgil Fox took organ shoes to the extreme when he studded the heels with diamonds so that they would sparkle as he was playing Bach’s Gigue Fugue, or as he said “…when I dance the gigue.”

Anyway, shortly after Thanksgiving 2010 our church organist, Bob Chiralo AKA “Mr. Bob” to the kids, learned that he had cancer. During his surgery and treatment, his organ shoes sat neatly behind the organ and I would see them every week at choir rehearsal and Sunday services.

His shoes being there always gave me the hope that he might be back to use them soon.

Tuesday, April 12, 2011, Bob lost his battle with cancer and at choir rehearsal I noticed that his shoes were gone, too. That struck me as so final.

Bob won’t be back with us but I’m sure he’s putting those shoes to good use playing in heaven.

Thanks for all those years of service you provided to our church!

From Bob Chiralo’s online obituary:

bob-chiraloRobert Philip Chiralo died on April 12, 2011 of brain cancer. His wife was at his side, as was Father Alexander Drummond, who administered the Sacraments of the Church and a dear family friend, Jeanne Dalaba.

Bob was born on May 8, 1949 in Reading, Pennsylvania. He was an honor student throughout his school years there and began studying piano at age 8. At age 16, he was certified by the Lutheran Church to serve as an Organist/Choir Director. He continued his organ studies through his undergraduate years and was a lifetime member of the American Guild of Organists, serving in various capacities in that organization. In his deep devotion as a church musician he continuously served at various churches in Pennsylvania, California and most recently as organist at Pender UMC in Fairfax, Virginia.

He was an active Republican grassroots pro-life volunteer, member of the Fairfax County Republican Committee and spent several years as a tour guide at Manassas Battlefield Park. He was a student of world history, particularly military history.

Bob Chiralo had over thirty-five years of technical, management, and business development experience in intelligence and defense with the Federal Government. This began with his early work at the Aerospace Corporation, continued through his employment at Logicon Geodynamics and Logicon Ultrasystems (both now part of TASC, Inc.), and led to his current position at SRI International. Bob established a professional reputation as a pioneer in the area of Measurement and Signature Intelligence, especially in applying the science of sensors to the growing field of overhead sensing systems support for our national security and intelligence communities. This included extensive involvement in the evaluation of new remote sensing and hyperspectral detection technologies and culminating in his role in helping establish the Spectral Information Technology Applications Center (SITAC) to better formalize the evaluation of various new methods in these arenas. Bob’s expertise also led to one of the more interesting assignments of his professional career, his service as a technical advisor on imagery processing in connection with the House of Representatives 1978 investigation of the assassination of President John F. Kennedy.

Bob joined the Washington Office of SRI in 1998 as Intelligence Community Program Development Manager; his responsibilities included support of the company’s business development efforts and Intelligence Community Program Development, including project and program management spanning nearly the entire spectrum of the intelligence and national security communities. He was also quite active professionally. He was a founding member of the Measurement and Signature Intelligence Association, and an officer and past Chairman of the organization, and played a key role in its 2008 reorganization as the Advanced Technical Intelligence Association (ATIA). He was also an active member of the Institute for Electrical and Electronic Engineers (IEEE), the American Society of Photogrammetry and Remote Sensing (ASPRS), the North American Remote Sensing Industries Association (NARSIA) and the National Military Intelligence Association (NMIA). He held a B.A. in Physics from Wittenberg University (1971) and an MS in Electrical Engineering from the University of Pennsylvania (1973) in addition to other ongoing professional studies connected to his work.

He is survived by his wife of 30 years, Monica Dolle Chiralo of Centreville, VA; daughter and son-in-law Monette and Michael Johnstone with grandchildren Melissa Mae and Maxfield Alexander Johnstone of Seattle, WA; parents Anthony Philip and Mary Jane Chiralo of Reading, PA; and brother Joel Anthony Chiralo of Carney, MD.

The Funeral Mass will be held at Saint Andrew the Apostle Catholic Church in Clifton, VA on Monday morning, April 18 at 11:30 with burial following in the Garden of the Blessed Mother at Fairfax Memorial Park. A celebration of his life and music ministry will follow at Pender United Methodist Church in Fairfax. In lieu of flowers, it was his desire that donations be made toThe Jeanne Bussard Center, 555 South Market St., Frederick, MD 21701. This is a facility which serves mentally and physically handicapped adults. It was dear to his heart.

~~

Addendum:
1) Monica says:

“Bob is, indeed, using them (his shoes) – because he is wearing them, with his black cassock, a rosary in his hands and a Phillies’ hat on his head. Sure hope St. Peter isn’t a Yankees fan!”

2) This interview Virgil Fox shows his shoes even better in the first few minutes.

Addendum 2

From http://lis.virginia.gov/cgi-bin/legp604.exe?112+ful+HJ5031

Virginia’s Legislative Information System

2011 SPECIAL SESSION I

11200137D
HOUSE JOINT RESOLUTION NO. 5031Offered April 25, 2011

Celebrating the life of Robert Philip Chiralo.

———-Patron– Hugo———-Unanimous consent to introduce———-WHEREAS, Robert Philip Chiralo of Centreville, a highly respected professional who played a pioneering role in the development of measurement and signature intelligence, died on April 12, 2011; and

WHEREAS, a native of Pennsylvania, Robert “Bob” Chiralo received a bachelor’s degree from Wittenberg University and a master’s degree from the University of Pennsylvania; and

WHEREAS, Bob Chiralo enjoyed a successful career that spanned more than three decades and involved technical, management, and business development work in intelligence and defense with the federal government; and

WHEREAS, Bob Chiralo began his distinguished career at the Aerospace Corporation before moving to Logicon Geodynamics and Logicon Ultrasystems (both now part of TASC, Inc.); in 1998 he joined the Washington Office of SRI International; and

WHEREAS, a brilliant innovator, Bob Chiralo recognized the role that the science of sensors could play in the growing field of overhead sensing systems support for the national security and intelligence communities; and

WHEREAS, Bob Chiralo became actively involved in the evaluation of new remote sensing and hyperspectral detection technologies, eventually helping to establish the Spectral Information Technology Applications Center; and

WHEREAS, highly regarded for his technical expertise, Bob Chiralo proudly served his country in a variety of ways, including working as a technical advisor on imagery processing during the investigation of the assassination of President John F. Kennedy; and

WHEREAS, Bob Chiralo made numerous contributions to his profession through his affiliation with different organizations; he was a founding member of the Measurement and Signature Intelligence Association and played a key role in its 2008 reorganization as the Advanced Technical Intelligence Association; and

WHEREAS, Bob Chiralo was also an active member of the Institute for Electrical and Electronics Engineers, the American Society of Photogrammetry and Remote Sensing, the North American Remote Sensing Industries Association, and the National Military Intelligence Association; and

WHEREAS, Bob Chiralo was a gifted musician who learned to play the organ as a young boy; at the age of 16, he received certification from the Lutheran church as an organist/choir director and continued his organ studies as an undergraduate; and

WHEREAS, a lifetime member of the American Guild of Organists, Bob Chiralo took great pride in serving as a church musician, most recently at Pender United Methodist Church in Fairfax; and

WHEREAS, an active member of the community, Bob Chiralo was a stalwart member of the Fairfax County Republican Committee and spent several years as a tour guide at Manassas National Battlefield Park; and

WHEREAS, a devoted family man, Bob Chiralo will be greatly missed by his wife of 30 years, Monica; daughter, Monette and her family, including two grandchildren; parents, Anthony Philip and Mary Jane; and numerous other family members, friends, and admirers; now, therefore, be it

RESOLVED by the House of Delegates, the Senate concurring, That the General Assembly hereby note with great sadness the loss of a pioneering leader in the intelligence community and respected community supporter, Robert Philip Chiralo; and, be it

RESOLVED FURTHER, That the Clerk of the House of Delegates prepare a copy of this resolution for presentation to the family of Robert Philip Chiralo as an expression of the General Assembly’s respect for his memory.

Addendum 3 Monica Chrialo died on January 6, 2023.

Monica Dolle Chiralo Major completed her journey to Our Lord on Jan 6th, 2023, after a lengthy battle with Carcinoid Cancer and Chronic Lymphocytic Leukemia (CLL) since 1999. She is the daughter of the late John Arnold Dolle and Lova Lea Reynolds Dolle. She is survived by her husband Arthur Major, daughter Monette Claire Northcutt Johnstone and grandson Maxfield Alexander Johnstone of Seattle, Washington, and sister Merrielea Zabia Dolle of Hawaii; also, stepchildren Jason Major, James Major, and Lisa Krebs and step grandson Roland Krebs. She is the widow of Robert Chiralo, who preceded her in death after 31 years of marriage.

She was born in Santa Monica, CA, in 1948 and graduated with a history major from California State University Dominguez Hills and attended Notre Dame Graduate School majoring in theology and eventually settled in Virginia, then later, Arizona. She had hundreds of books, was a voracious reader and was fluent in three languages; was an accomplished flute and guitar player, dancer, singer, and pianist. She taught piano, guitar, and flute lessons to dozens and maintained close friendships with many of her former students and their families. She was a clothing designer, knitter, and seamstress, making many items for friends and family and designed unique patterns and products which she sold under the “Miss Monette” label; and excelled at photography with many framed pictures around her home. Monica had a spirited personality and many fascinating life experiences including a brief time in the USAF, working at the US embassy in Nigeria, and much overseas travel and cruises.

She was a dedicated and determined volunteer in the Virginia Republican Party at the county and state levels, always willing to work for the causes she held dear and sponsoring many events which proved vital to her party’s success. She was an enthusiastic and devout communicant of the Roman Catholic church, had an amazing – comprehensive knowledge of scripture, high standards, and always demonstrated Christian values as a role model. She touched a lot of people, both directly and indirectly by thoughtful contributions and personal interactions with many including countless strangers. This was purposeful on her part – in her 60’s she completed two years of Spanish language lessons at a community college just so she could communicate with, and better help, the immigrant community. She was the dearest of friends, a perceptive listener, and a caring and loving advisor who will be sorely missed by many.

A Mass of Christian Burial will be held at 11 a.m. on Wednesday, January 25, 2023 at St. Benedict Catholic Church, 300 N Sheppard St., Richmond, VA 23221. A reception will follow after Mass at 12:30 p.m. at Bliley’s – Central, 3801 Augusta Ave., Richmond, VA 23230. Interment will be held at 1 p.m. on Thursday, January 26, 2023 at Fairfax Memorial Park, 9900 Braddock Rd., Fairfax, VA 22032. A memorial service will be announced at a later date and time in Sun City, Az.

In lieu of flowers please contribute “In honor of Monica Dolle Major” at “https://www.carcinoid.org/about/contributing-to-our-foundation/

 
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Posted by on April 12, 2025 in Music, Pender UMC, Videos, Webmaster posts

 

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The Heavens are Telling

 

The opening verses of Psalm 19 present the heavenly bodies and their movement as a universal witness to the glory of God that is understood by people of every language. The language connects day and night as a continuous presentation. The words suggest energy, strength, joy, and light.

So many of the Psalms and scriptures have been made into wonderful works of classical music.  Franz Joseph Haydn was one of these composers.

“The heavens declare the glory of God; the skies proclaim the work of his hands.” ~ Psalm 19:1 (NIV)

A setting of ‘The Heavens are Telling the Glory of God’ from Haydn’s  Creation.

More about Haydn’s work, The Creation, can be found on Wikipedia

 
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Posted by on January 13, 2024 in Hymn History, Music, Posts of Interest, Videos

 

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Christmas Music, Conclusion ~Auld Lang Syne

Auld Lang Syne

“Auld Lang Syne” is a Scots poem written by Robert Burns in 1788 and set to the tune of a traditional folk song. It is well known in many countries, especially in the English-speaking world; its traditional use being to celebrate the start of the New Year at the stroke of midnight. By extension, it is also sung at funerals, graduations and as a farewell or ending to other occasions. The international Boy Scout youth movement, in many countries, uses it as a close to jamborees and other functions.

The song’s Scots title may be translated into English literally as “old long since”, or more idiomatically, “long long ago”, “days gone by” or “old times”. Consequently “For auld lang syne”, as it appears in the first line of the chorus, might be loosely translated as “for (the sake of) old times”.

Here is an old kinescope from over 50 years ago!! For 100 years, the slow drop of a lighted glass ball on New Year’s Eve from atop One Times Square in New York City has become an American tradition. A huge crowd gathers every year to welcome in the New Year.

Beginning in 1956, Guy Lombardo & His Royal Canadians entertained the US on New Year’s Eve with a combination of music and the live “ball drop” at Midnight. Guy continued this tradition until his death in 1977. His band still played on at CBS Television on New Years for an additional 2 years. (Dick Clark’s Rockin New Years Eve began in 1972 on ABC and still broadcasts annually.) This broadcast began right after the 15-minute news and ran for an hour. Guy plays the music and newsman Robert Trout announces the beginning of the New Year.

If you look closely, you’ll see acerbic television personality Henry Morgan in the crowd. TV was very primitive 50 years ago. Harsh lighting, a cheap office clock and a World War II searchlight scans the crowd below. I hope you’ll enjoy ringing in the New Year – 1958! Recorded: December 31, 1957.

 
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Posted by on December 31, 2023 in Holidays, Music, New Year, Posts of Interest, Videos

 

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Christmas Music, Part 1 – Sleigh Ride

Sleigh Ride

I’ve always liked Leroy Anderson’s Sleigh Ride as a secular Christmas song 🙂  It’s not technically a Christmas song since the words never mention Christmas but it’s often played now so it seems like a way to ease into the season.

Anderson had the original idea for the piece during a heat wave in July 1946;  he finished the work in February 1948.  Lyrics, about a person who would like to ride in a sleigh on a winter’s day with another person, were written by Mitchell Parish in 1950.

The orchestral version was first recorded in 1949 by Arthur Fiedler and The Boston Pops Orchestra. The song was a hit record and has become the equivalent of a signature song for the orchestra.

A fun arrangement has been made for piano duet.

 
 

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Hymn History: We Gather Together

We gather together to ask the Lord’s blessing;
He chastens and hastens his will to make known.
The wicked oppressing now cease from distressing.
Sing praises to his name; he forgets not his own.

The Pender UMC Traditional Service Middle Hymn “We Gather Together” on Thanksgiving Sunday November 20, 2022 was played by Liz Eunji Moon on piano, Teresa Rothschild on clarinet, Brian Stevenson on flute and sung the Pender Sanctuary Choir and congregation.

In many American hymnals, “We gather together” appears as a Thanksgiving hymn. Perhaps this is because of the opening line and the general idea that God is with us regardless of our circumstances. However, the hymn speaks more about God’s providence throughout the trials of life. The story behind this hymn clarifies its text.

This hymn is a late sixteenth-century expression of celebration of freedom by The Netherlands from Spanish oppression. Like many older hymns, it finds its way to us through a circuitous route. Although listed as an anonymous hymn, some sources indicate that Adrianus Valerious (c. 1575-1625), known for his poems on the Dutch War of Independence from the perspective of a peasant, authored the original text in Dutch. Since making a living as a poet was not possible, Valerious had a prosperous career as the Toll and Customs Controller for Veere, eventually being promoted to Tax Collections and finally appointed to the City Council.

The hymn was first published in Nederlandtsch Gedenckclanck (1626), a collection by Valerius in Haarlem, focusing on folk poems and melodies on the Dutch Wars (1555-1625). Valerius collected and arranged the songs for this publication for 30 years until his death in 1625. This collection is not as important for its poetry as it was for understanding the Protestant attitudes of the day. The work’s significance was exemplified by its adoption in Zeeland as part of the religious education curriculum in homes and the church.

Austrian Edward Kremser (1838-1914) included the hymn in Sechs Altniederländische Volkslieder (Six Old Netherlands Folksongs) in 1877 for his men’s chorus, all six anonymous songs taken from the Valerius collection 250 years earlier. According to UM Hymnal editor te Rev. Carlton Young, the performance of these tunes led to their popularity and inclusion in many hymnals.

The story extends to the United States through Theodore Baker (1851-1934), a New York-born musicologist who studied in Leipzig and authored the famous Biographical Dictionary of Music and Musicians. Baker translated the hymn from German for an anthem entitled “Prayer for Thanksgiving” published in 1894. Baker is the source of the hymn’s traditional Thanksgiving connection in the United States.

The Dutch, long a stronghold for the Reformed theology of John Calvin, were in a struggle against Spain for their political independence and against the Catholic Church for religious freedom. A twelve-year truce was established in 1609, giving young Prince Frederick Henry a chance to mature into an able politician and soldier.

During this time, the Dutch East India Company extended its trade beyond that of the English. The high period of Dutch art flourished with Hals, Vermeer, and Rembrandt. Under the guidance of the Prince Frederick Henry’s leadership, Spain’s efforts to regain supremacy on land and sea were finally overcome in 1648. There was indeed much for which to be thankful.

Some of the political overtones in this hymn faithfully translated by Baker are apparent. Hymnologist Albert Bailey suggests that the phrase, “The wicked oppressing now cease from distressing,” is an allusion to the persecution of the Catholic Church under the policies of Spain. Thousands had been massacred and hundreds of homes burned by the Spanish in 1576 during the Siege of Antwerp.

In stanza two, the writer states, “so from the beginning the fight we were winning,” stressing that Protestants had always been assured of winning the cause. The truce of 1609 proved that the Lord “wast at our side.”

The final stanza is a series of petitions . . .

” …pray that thou still our defender will be.
Let thy congregation escape tribulation;
thy name be ever praised! O Lord, make us free!”

This is an eschatological stanza. The ultimate battle has not been won and will not be won until all battles cease.

The hymn gained recognition in the United States when it found its way into the hymnal of the Methodist-Episcopal Church in 1935. The popularity increased during World War II when singers connected “the wicked oppressing” to Nazi Germany and Imperial Japan. More recently, the “We Gather Together” was featured at the Funeral Mass for Jacqueline Kennedy Onassis in 1994.

An interesting sidebar was that Baker’s anthem inspired another hymn. A young Julia Cady Cory (1882-1963) heard this text in 1902 at her church, Brick Presbyterian in New York City. Cory’s “We praise thee, O God, our Redeemer, Creator” is a more general hymn of praise and thanksgiving that also uses the Dutch tune KREMSER. Cory’s hymn did not include any reference to nationalism, making it a more general ecumenical hymn of thanksgiving.

The United Methodist Hymnal has placed this hymn in the “Providence” section rather with other traditional American Thanksgiving hymns, broadening its use from this national holiday to use during any difficult circumstances.

Dr. Hawn is distinguished professor of church music at Perkins School of Theology. He is also director of the seminary’s sacred music program.

From https://www.umcdiscipleship.org/resources/history-of-hymns-we-gather-together1

 

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