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Pender Music: Our God Reigns

Our God Reigns, World Communion Sunday, October 5, 2025

On this special Sunday at Pender United Methodist Church, the opening hymn was “Our God Reigns” by Leonard Smith. It was joyfully sung by the Pender Sanctuary Choir and congregation under the direction of Patrick King, Director of Music Ministries, accompanied by Wenru Yang on piano.

This uplifting hymn reminds us of God’s sovereignty and grace that unites believers around the world. On this 17th Sunday after Pentecost, we join Christians everywhere in proclaiming: Our God reigns!

“How lovely on the mountains are the feet of him who brings good news, who proclaims peace, who brings glad tidings, who proclaims salvation, who says to Zion, ‘Your God reigns!’” — Isaiah 52:7

May this song inspire gratitude and unity as we remember that God reigns over all nations, all people, and all hearts.

“Our God Reigns” | Offertory at Pender UMC | January 5, 2025

On January 5, 2025, during a special Epiphany service at Pender United Methodist Church, the offertory featured a moving performance of “Our God Reigns” by Leonard Smith.

The anthem was beautifully sung by the Pender UMC Sanctuary Choir, under the direction of Patrick King, Pender’s Director of Music Ministries, accompanied by Abe Garver on cello and Heidi Jacobs on piano. This heartfelt rendition reminded us of the power and majesty of God’s reign, adding a deeply spiritual element to the worship service.

We are grateful to our singers, Patrick, Abe, and Heidi for sharing their incredible talents and inspiring us through this timeless anthem.

Pender UMC Sanctuary Choir Presented “Our God Reigns”

On August 25, 2024, the Pender UMC Sanctuary Choir, under the direction of Patrick King, delivered a powerful performance of “Our God Reigns” by Leonard E. Smith, Jr., inspired by Isaiah 52:7. This uplifting song, celebrating the message of salvation and God’s sovereignty, was beautifully accompanied by Mark Severeniuk on tuba and Heidi Jacobs on piano.

Isaiah 52:7 speaks of “good news,” originally referring to Israel’s delivery from captivity and return to Jerusalem. Today, Christians sing these words to celebrate our delivery from sin through Christ (Romans 10:15-16), who brings salvation and a restoration of God’s rule, resulting in peace and happiness. The song text skillfully combines Isaiah’s message with the timeless theme from the Psalms: Our God reigns!

Join us in this celebration of faith and let the music remind you of the everlasting reign of our God.

How lovely on the mountains are the feet of him
who brings good news, good news;
Announcing peace, proclaiming news of happiness:
our God reigns, our God reigns!

Refrain:
Our God reigns, our God reigns, our God reigns,
our God reigns, our God reigns!

Leonard E. Smith, Jr., (b. Philadelphia, PA, 1942) composed this song in 1973 in Riverton, New Jersey. Educated at Mount St. Mary’s Seminary in Emmitsburg, Maryland, where he received a BA in philosophy, Smith first taught in public high schools, but his evangelical efforts in the schools created problems, resulting in his dismissal. He then began painting houses to support his family.

One night as he was reading Isaiah 52 he was overwhelmed by the conviction that God was in control of his life and of all creation; he wrote this song that night in just five minutes. The song was first sung at New Covenant Community Church, where Smith served as worship leader. Though not published for some time, it became known internationally when evangelist Bob Mumford included it in his crusades. It was first published in a Servant Publications hymnal, Songs of Praise (vol. 2, 1977). In 1978 Smith added four additional verses. He has published over 130 Scripture songs with New Jerusalem Music Co.

From Today’s Christian Living: The Story Behind the World-Renowned Song “Our God Reigns”
By Leonard E. Smith

Sometimes you have to reach bottom before you look up to see God at work. Back in 1973, I was out of work again and depressed — actually very depressed. My wife and I had a son, an apartment, a car, and lots of bills to pay. I had also made myself unemployable as a high school teacher with just too much Jesus talk in class. I guess I was naive to think that talking about Jesus was more important than teaching Latin or English literature.

One morning I was reading the Bible and came to Isaiah 52:7: “How lovely on the mountains are the feet of Him Who brings good news, announcing peace, proclaiming news of happiness: your God reigns.” My heart began pounding in my chest because, through what I read, God spoke to me: “You’re going to get through this, and you will be fine. In fact, you’ll do very well.” I just felt the dark cloud lift off me. I picked up my guitar and, in a few minutes, Our God Reigns was born! I had one verse and the chorus. It wasn’t so much that I wrote it as I received it!

How lovely on the mountains are the feet of Him
Who brings good news, good news
Announcing peace, proclaiming new of happiness
Our God reigns, Our God reigns!
Our God reigns! Our God reigns! Our God reigns!

A couple of months later, a traveling evangelist visited our church, heard the song, and taught it as he went from church to church. It took me three more years to complete the other verses that made this Scripture chorus into a hymn that went around the world.

After the three big Christian music publishers passed on publishing my song in the late ’70s, I decided to keep the copyright and establish New Jerusalem Music to manage my songs, as well as the songs of our friends and my son, Daniel C. Smith, of the group Danielson Family. The decision to create my own music company worked out incredibly well over the decades. This was the fulfillment of His promise all those years ago when He told me that I would do very well. I know we really do have a Good Shepherd who is guiding us, closing doors, and opening doors.

Every one of us has experienced disappointment and failure and had our hearts broken. But we don’t need to be bitter about it. If we look closely, we’ll see how God worked it out for our good. Over time, we become more understanding, more patient, and kinder to others who have been overlooked and forgotten. We must not forget that suffering is the very thing God uses to refine and strengthen us. Jesus set the pattern that crucifixion comes before resurrection.

I would never have taken up learning how to play the guitar in seminary in the ‘60s if I hadn’t been so desperately lonely for so long. And I would never have started writing Scripture songs if I hadn’t so deeply needed the comfort of the Psalms of David, who also knew something of loss and pain and heartbreak.

Looking back, I’m grateful I was fired from that last teaching job. It proved to be the door God closed before He opened a new door for me. That open door has allowed me to enter into a wonderful new world. Thank you, Lord, for being such a good, loving, kind, faithful Shepherd. I know I’m in Your good hands and that will never change.

 

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Pender UMC Spring Concert

Pender Spring Concert Series concert in the Sanctuary with a  reception to follow in the Gathering Place.

 

 

 

 
 

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Hymn History: “El Shaddai”

Sunday, February 4, 2024 the Pender Sanctuary Choir sang El Shaddai as arranged by Amy Grant and further arranged by Pender’s Director of Music Ministry, Patrick King.

During the Traditional Service on February 4, 2024, Pender’s sanctuary was imbued with the spiritual tapestry of song as the Sanctuary Choir, under the masterful direction of Patrick King, lifted their voices in a moving rendition of “El Shaddai.” This particular arrangement, a harmonious blend of Amy Grant’s touch and King’s unique vision, filled the sacred space with an aura of reverence and awe.

“El Shaddai,” a melody that draws its powerful lyrics from the scriptural portrayal of God, was first brought to life by Michael Card and John Thompson in the early ’80s. Michael Card, a profound scholar and artist, has woven his faith into over three decades of music, crafting hit after hit, with “El Shaddai” being one of his most renowned works. This song, in its essence, is a quest to capture the enigmatic nature of the divine through the ancient Hebrew names of God, each name a key to the unfathomable relationship between the Creator and His creation.

The Pender Sanctuary Choir’s performance was not just an offertory but a profound homage to the timeless quest of hymn writers throughout the ages—a quest to give voice to the voiceless wonder of the divine. As the choir sang, the congregation was transported through the annals of biblical history, from the covenant with Abraham and Isaac to the deliverance at the Red Sea, and finally to the Messianic prophecies fulfilled in Christ.

Michael Card, whose journey from the halls of Western Kentucky University to the honor of a doctorate from Philadelphia Biblical University, has always emphasized the importance of community and relationships in Christian growth. His storied career, marked by accolades such as the Dove Awards and millions of albums sold, is a testament to his commitment to exploring and expressing faith through music and writing.

As the last notes of “El Shaddai” resonated within the church walls, the profound and enduring impact of this piece, awarded the Dove Song of the Year in 1983, was felt by all present. It was a moment that transcended time, linking the congregation with the faithful of the past and the powerful biblical narratives that continue to inspire and guide. The day was a reminder that through music, the spirit of worship and the stories of sacred texts are ever alive, ever stirring the souls of those who seek to encounter the Almighty, the “El Shaddai.”

Biblical scholar J. Hampton Keathley III has described the context of the song:

“El Shaddai: God Almighty. The derivation is uncertain. Some think it stresses God’s loving supply and comfort; others His power as the Almighty one standing on a mountain and who corrects and chastens (Genesis 17:1; 28:3; 35:11; Exodus 6:31; Psalm 91:1, 2).

“El Elyon: The Most High God. Stresses God’s strength, sovereignty and supremacy (Genesis 14:19; Psalm. 9:2; Daniel 7:18, 22, 25).

“El Olam: The Everlasting God. Emphasizes God’s unchangeableness and is connected with His inexhaustibleness (Genesis 16:13).

“Yahweh (YHWH): Comes from a verb which means “to exist, be.” This, plus its usage, shows that this name stresses God as the independent and self-existent God of revelation and redemption (Genesis 4:3; Exodus 6:3 (cf. 3:14); 3:12).

The UM Hymnal contains only the refrain for the sake of space. The stanzas discuss God’s faithful acts as told in the biblical witness, including Abraham and Isaac, the parting of the waters during the Israelites’ deliverance from Egypt (stanza one) and the prophecies of the coming of the Messiah and the fulfillment of Christ’s mission (stanza two).

 
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Posted by on February 23, 2024 in Posts of Interest

 

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Hymn History: Rejoice, Ye Pure in Heart

“Rejoice, Ye Pure in Heart”
Edward H. Plumptre
The UM Hymnal,  Nos. 160 and 161

Rejoice, ye pure in heart;
rejoice, give thanks, and sing;
your glorious banner wave on high,
the cross of Christ your King.
Rejoice, rejoice, rejoice, give thanks, and sing.

“Rejoice Ye Pure in Heart” was the middle hymn at Pender’s 9:00 am Traditional Service on October 15, 2023 It was sung by Pender’s Sanctuary choir, congregation, directed by Patrick King and accompanied on piano by Heidi Jacobs.

The Pender UMC Traditional Service Closing Hymn “Rejoice, Ye Pure in Heart” on May 29, 2022 was directed by Brian Stevenson and accompanied by Liz Sellers on piano and sung by the Pender Sanctuary Choir and Congregation.

Anglican priest and professor Edward Hayes Plumptre (1821-1891) composed “Rejoice, ye pure in heart” as a processional hymn for a choir festival in one of England’s majestic places of worship, Peterborough Cathedral.

Writing in the mid-20th century with perhaps a hint of condescension, hymnologist Albert Bailey describes the context for this hymn by saying that the “untravelled American can hardly realize the emotional effect of a processional made up of choirs from a dozen different communities, marching with full panoply through ‘long-drawn aisle’ and under ‘fretted vault’ while we hear:

The storm their high-built organs make,
And thunder-music, rolling, shake
The prophets blazoned on the panes.

“The massiveness of the old Norman Peterborough makes a marvelous background and amplifier for such a processional.”

Plumptre was a distinguished scholar of his day. Educated at University College, Oxford, he then became a fellow at Brasenose College, Oxford, receiving his ordination in the Anglican Church in 1846. After serving as a clergyman, he became chaplain and professor of New Testament exegesis at King’s College, London, and dean of Queen’s College, Oxford. His most prominent position as a clergyman was that of dean of Wells Cathedral.

Of the original 11 stanzas, five or six stanzas appear in most hymnals. Stanza one refers (in the original text) to the “festal banner” and “Cross of Christ your King,” symbols of the faith that would be carried at the head of such a procession in the Anglican context.

Omitted stanzas refer to this processional in martial terms as warriors who “march in firm array.” This kind of imagery is not only consonant with the times, but also reflects the theology of the Anglican Communion that views its role on earth as the “Church Militant” while the church in heaven is the “Church Triumphant.”

Of course, the music used for this text must reflect the spirit of a stately processional. American hymnologist Leonard Ellinwood said that the tune MARION was written for this text by Arthur Messiter (1834-1916). Messiter added the refrain drawn from the first two lines of stanza one: “Rejoice, rejoice, rejoice give thanks and sing” echoes Philippians 4:4, “Rejoice in the Lord always; again I will say, Rejoice.”

Hymnologist William Reynolds noted that it “was not unusual for a cathedral processional to take from ten to thirty minutes, and the hymn that was sung by both the choir and the congregation needed to have enough stanzas for this.”

Mr. Bailey’s earlier comments notwithstanding, not all participants in festival worship were enamored by such lengthy processionals. Mr. Reynolds goes on to say that “A review of a hymnal… [commented] that some of the processional hymns were so long that some of the congregation would need to walk about in order to stay awake.”

The United Methodist Hymnal includes a second tune, VINEYARD HAVEN, with this text. Richard W. Dirksen composed this tune in 1974 for the installation of John M. Allin as the presiding bishop of the Episcopal Church in Washington Cathedral.

Carlton Young, editor of The UM Hymnal, found this text less than worthy, and notes: “Dirksen’s setting… [saves] a maudlin hymn from its deserved place in hymnic obscurity.”

Regardless of how one evaluates the quality of this text, we can all be grateful to be spared from 30-minute processionals in worship.

Dr. Hawn is professor of sacred music at Perkins School of Theology.

From https://www.umcdiscipleship.org/resources/history-of-hymns-rejoice-ye-pure-in-heart

 

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Pender Music: Celtic Communion

“Celtic Communion” was the offertory anthem at Pender’s 9:00 am Traditional Service on October 10, 2023 It was sung by Pender’s Sanctuary choir, directed by Patrick King and accompanied on piano by Heidi Jacobs.

Celtic Communion, arr. Mark Hayes. A brilliant inspiration! This beautiful anthem pairs the beloved Gaelic melody Bunessan with traditional texts that are a perfect match! The remarkable keyboard accompaniment supports the Irish folk flavor, which is further enhanced by the optional orchestration for flute or penny whistle, bass, guitar and percussion. Stunning message and music!

 

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