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Category Archives: Music

Hymn History: How Great Thou Art

A favorite hymn is How Great Thou Art

how-great

“Great is the Lord, and greatly to be praised, and His greatness is unsearchable.” Psalm 145:3

“Great is the Lord, and greatly to be praised, and His greatness is unsearchable.” Psalm 145:3

“How Great Thou Art” was the opening hymn at Pender’s 9:00 am Traditional Service on October 1, 2023 It was sung by Pender’s Sanctuary choir, congregation and accompanied on piano by Heidi Jacobs.

“How Great Thou Art” was the opening hymn at Pender’s 9:00 am Traditional Service on October 1, 2023 It was sung by Pender’s Sanctuary choir, congregation and accompanied on piano by Heidi Jacobs.   

“How Great Thou Art” is a Christian hymn based on a Swedish poem written by Carl Gustav Boberg (1859–1940) in Sweden in 1885. The melody is a Swedish folk song.  Its popularity is due in large part to its wide use by gospel singers, notably George Beverly Shea of the Billy Graham Evangelistic Team.

The original Swedish text was a poem entitled “O Store Gud.” written by a Swedish pastor, the Reverend Carl Boberg, in 1886. In addition to being one of the leading evangelical preachers of his day. Boberg was also the successful editor of the periodical Sanningsvittnet. His inspiration for this text is said to have come from a visit to a beautiful country estate on the southeast coast of Sweden. He was suddenly caught in a midday thunderstorm with awe-inspiring moments of flashing violence, followed by a clear brilliant sun. Soon afterwards he heard the calm, sweet songs of the birds in nearby trees. The experience prompted the pastor to fall to his knees in humble adoration of his mighty God, He penned his exaltation in a nine-stanza poem beginning with the Swedish words “O Store Gud, nar jag den varld beskader.”

Several years later Boberg was attending a meeting in the Province of Varmland and was surprised to hear the congregation sing his poem to the tune of an old Swedish melody. It is typically characteristic of many other hymn tunes, i.e., “Day by Day” with its lilting, warm, singable simplicity.

With his original English lyrics and his arrangement of the Swedish folk melody, Mr. Stuart K. Hine published what we know today as the hymn “How Great Thou Art.” Assignments of copyrights and publication rights to an American publishing firm in 1954 helped spread the popularity of this hymn. In April of 1974 the Christian Herald magazine, in a poll presented to its readers, named “How Great Thou Art” the No. 1 hymn in America.

How Great Thou Art

Verse 1:
O Lord my God, When I in awesome wonder,
Consider all the worlds Thy Hands have made;
I see the stars, I hear the rolling thunder,
Thy power throughout the universe displayed.

Chorus:
Then sings my soul, My Saviour God, to Thee,
How great Thou art, How great Thou art.

Then sings my soul, My Saviour God, to Thee,
How great Thou art, How great Thou art!

Verse 2:
When through the woods, and forest glades I wander,
And hear the birds sing sweetly in the trees.
When I look down, from lofty mountain grandeur
And see the brook, and feel the gentle breeze.

Chorus

Verse 3:
And when I think, that God, His Son not sparing;
Sent Him to die, I scarce can take it in;
That on the Cross, my burden gladly bearing,
He bled and died to take away my sin.

Chorus

Verse 4:
When Christ shall come, with shout of acclamation,
And take me home, what joy shall fill my heart.
Then I shall bow, in humble adoration,
And then proclaim: “My God, how great Thou art!”

Chorus

 

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Pender Music: How Beautiful

“How Beautiful” by Twila Paris was the offertory at Pender’s 9:00 am Traditional Service on July 9, 2023. It was sung by Rachel Kotiah Matos, accompanied on piano by Heidi Jacobs.

Twila Paris sings about the beautiful way Jesus demonstrated love to others while he was in this world. His love was more than warm sentiments. It was an embodied love – a love that expressed God’s compassion through physical actions. His hands served people food. His feet traveled to their homes and villages. His eyes looked upon sinners with joy and acceptance. With his body Jesus demonstrated love to others.

Paris sings about His hands and feet that served and walked to the cross, His heart that forgives all sins, and how His sacrifice inspires her to live a life that is willing to pay the price for her faith. She also talks about how beautiful it is when people spread the good news of His love through their actions and how the church is like a radiant bride waiting for her groom. Overall, the song celebrates the beauty of Christ and His body, the church.

After describing the beauty of Christ’s physical body on earth, the song describes the beauty of Christ’s communal body on earth – his Church. When Christians “live just as he died” – when, like our Savior, we serve others around us through physical expressions of love – the Church is beautiful, too. As the song says, “How beautiful is the body of Christ.”

 

 

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Pender Music: Ave Maria

For Pender’s offertory on August 6 2023 Brian Stevenson, Director of Music Ministries, played Ave Maria (Bach/Gounod version) on his harp. He was accompanied by Heidi Jacobs on the piano.

“Ave Maria” is a popular and much-recorded setting of the Latin prayer Ave Maria, originally published in 1853 as “Méditation sur le Premier Prélude de Piano de S. Bach”.

The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Johann Sebastien Bach’s Prelude No. 1 in C major, BWV 846, from Book I of his The Well-Tempered Clavier, 1722.

Watch the whole service at https://youtu.be/s_KMbck4o2c

 

 

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Hymn History: On Eagle’s Wings

“On Eagle’s Wings” was the prelude at Pender’s 9:00 am Traditional Service on September 17, 2023. It was played on piano by Heidi Jacobs.

“On Eagle’s Wings,” by Michael Joncas;
The United Methodist Hymnal, No. 143

And He will raise you up on eagle’s wings,
bear you on the breath of dawn,
make you to shine like the sun,
and hold you in the palm of His hand.*

“Thus you shall say to the house of Jacob, and tell the Israelites: You have seen what I did to the Egyptians, and how I bore you on eagles’ wings and brought you to myself” (Exodus 19:4, NRSV).

Many recent composers for the church draw from biblical sources, making allusions to specific images. Father Jan Michael Joncas (b. 1951) uses the providential image of “eagle’s wings” as the anchor metaphor for his widely sung refrain. This refrain is a response for Psalm 91, usually sung by a cantor.

In a presentation for the National Association of Pastoral Musicians (NPM) convention in Long Beach in 1989, Joncas stated, “Scripture grounds my life as a Christian, a preacher, and a priest” (Joncas, GIA Publications, Inc. website). “On Eagles’ Wings” is an example of the high scriptural content of Fr. Joncas’s compositions. The composition appeared first in the liturgical music collection On Eagles’ Wings in 1979.

Dr. Joncas is one of the most prominent liturgical scholars and musicians in Catholic music today. He was granted the BA (English) magna cum laude from St. Thomas College, St. Paul, Minnesota (1975), the MA (Liturgical Studies) summa cum laude from University of Notre Dame, Notre Dame, Indiana (1978), and the SLL and SLD summa cum laude from the Pontificio Istituto Liturgico at the Collegio Sant’Anselmo (Roma, Italia) in 1989 and 1991, respectively.

Fr. Joncas has published widely in liturgical journals, written books, and composed and recorded numerous collections of liturgical music. He served as co-editor of Gather, one of the most widely used collections of liturgical music in Catholic parishes. He has served in parish ministry and is currently serving as University Artist-in-Residence and Fellow, Center for Catholic Studies, in the Department of Catholic Studies, University of St. Thomas.

The United Methodist Hymnal (1989) was the first major Protestant hymnal to include the refrain, “On Eagle’s Wings.” The only changes were the substitution of “God” and “God’s” for “He” and “His” for inclusive language purposes. Many Protestant congregations might view this song as a chorus or praise song. The roots are, in fact, much different. The song was written in 1978 as Joncas was concluding his MA in liturgy from Notre Dame. He was ordained in 1980 as a priest for the archdiocese of St. Paul/Minneapolis.

While serving in Minnesota, Fr. Joncas collaborated with two of his colleagues, Marty Haugen (b. 1950) and David Haas (b. 1957), in producing some of the most effective music for the church’s worship that has appeared in the days following the Second Vatican Council (1962-1965). This music written for the Catholic liturgy should not be confused with shorter choruses composed by contemporary Christian artists whose roots are in evangelical Christianity. At the National Pastoral Musicians conference in Long Beach, Fr. Joncas noted, “We pastoral musicians do not sing to entertain bored worshipers or to seduce them into brainless ecstasy; we may sing in the Spirit, but we also sing with our minds” (Joncas, GIA Publications, Inc. website).

In the Catholic liturgy, “On Eagle’s Wings” would be used most often on Sundays when the lectionary calls for Psalm 91. Joncas’s solo setting of the psalm for cantor is not included in The United Methodist Hymnal. The refrain allows the congregation to participate more fully in the singing of the psalm.

Most Protestant congregations know only the refrain. The beautiful, soaring melodic line and the rich, providential images of the text allow it to stand on its own. “On Eagle’s Wings” is often used in United Methodist worship as a congregational response to the benediction at the conclusion of the service. It also has a broader use, being sung at many 9/11 memorial services and at the memorial service for those who died in the bombing of the Alfred P. Murrah Federal Building in Oklahoma City in 1995.

How music will be used once it is published may be much different from what the composer intended. In correspondence with this writer, Fr. Joncas noted, “I wasn’t aware that by printing only the refrain in [The UnitedMethodist Hymnal, members of that denomination treat it more as a detachable benediction than a verse/refrain setting of Psalm 91.”

Adapted from https://www.umcdiscipleship.org/resources/history-of-hymns-on-eagles-wings

 

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Pender Music: 10, 000 Reasons

At Pender’s common ground contemporary worship on September 10, 2023 the Pender Praise Band sang 10,000 Reasons (Bless the Lord).

Led by AJ Rios on keyboards, the band consists of Megan Parker, Jane McKee (autoharp) and Arlet Williams.

“10,000 Reasons (Bless the Lord)” is a worship song co-written by Matt Redman and Jonas Myrin, first recorded by Redman for his 10,000 Reasons album, released in 2011 on Kingsway Music, and subsequently included on a number of compilations, covered by other artists and included as congregational worship music in English or in translation around the world.

In 2013, the song won two Grammy Awards for “Best Contemporary Christian Music Song” and “Best Gospel/Contemporary Christian Music Performance”.

After the song’s success and impact, Redman also published a book: 10,000 Reasons: Stories of Faith, Hope, and Thankfulness Inspired by the Worship Anthem.

 

 

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