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Hymn History: Standing on the Promises

 

“Standing on the Promises”
R. Kelso Carter
UM Hymnal, No. 374

“Standing on the Promises” was the middle hymn at Pender’s 9:00 am Traditional Service on June 18, 2023 It was sung by Pender’s congregation, accompanied on piano by Heidi Jacobs and guitar by Brian Stevenson.

The Pender UMC Traditional Service Opening Hymn “Standing on the Promises” on Sunday November 6, 2022 was played by Liz Eunji Moon on piano, accompanied on guitar by Brian Stevenson and sung the Pender Sanctuary Choir and congregation.

Standing on the promises of Christ my King,
Through eternal ages let his praises ring;
Glory in the highest, I will shout and sing,
Standing on the promises of God.

Russell Kelso Carter (1849-1928) was a man of diverse interests and abilities. A native of Baltimore, Md., Carter was known as an outstanding athlete in his younger days. The Methodist Holiness camp meeting movement had a profound impact on his life and he was ordained into ministry in 1887.

Carter held a number of teaching posts at the Pennsylvania Military Academy including professor of chemistry, natural science, civil engineering and mathematics. Not only did he teach, but he also published text books in his various disciplines and even authored several novels. Other interests included sheep-raising and practicing medicine.

If this were not enough, Carter also edited hymnals. He assisted A.B. Simpson in the compilation of a hymnal for the Christian and Missionary Alliance Church, Hymns of the Christian Life (1891), a collection that contained 68 of his tunes and 52 of his texts.

“Standing on the Promises” was composed in 1886 while Carter was teaching at the military academy. He was a member of the first graduating class in 1867 and had a strong affinity for the school. Author Phil Kerr makes a connection between the music and the military academy in his book, Music in Evangelism, stating that Carter’s military experience was reflected in the martial musical style of the hymn.

Published the year it was written in the collection, Songs of Perfect Love, edited by John K. Sweeny and Carter, the original text had five stanzas. The missing stanza reads:

Standing on the promises I now can see
Perfect, present cleansing in the blood for me;
Standing in the liberty where Christ makes free,
Standing on the promises of God.

The second line of this stanza has a particular Wesleyan tone with its focus on perfection and cleansing blood. The Rev. Carlton Young, editor of the UM Hymnal, notes: “As in other single-theme evangelical hymns and songs of this period, the biblical source of the hymn is not clear. ‘Stand firm’ from Ephesians 6:14 has often been cited as the theme of the hymn, although the word ‘promise’ tends to be reinforced as well.”

Thus, two passages of Scripture seem to undergird the central premise of this gospel song: “Stand firm then, with the belt of truth buckled around your waist, with the breastplate of righteousness in place. . . .” (Ephesians 6:14). Several passages relate to the promises of God including 2 Samuel 22:31: “As for God, his way is perfect; the word of the LORD is tried; he is a buckler to all them that trust in him.”

Dr. Young points out that this hymn was not included in authorized hymnals for Methodists (or in the 1957 hymnal of the Evangelical United Brethren Church) until the current hymnal. He states, “Its place in our hymnal came from its inclusion in a list of hymns determined to be widely used by evangelical United Methodists.”

As is the case of many gospel songs, this song revolves around its refrain. The stanzas, rather than serving to develop a sequential train of thought, are more like the spokes of a bicycle—all serving as an entry point to the refrain from various perspectives. One could reorder the stanzas and not lose any train of thought.

Hymnologist Kenneth Osbeck places the hymn in its context: “The hymn has been widely used in the great evangelistic crusades throughout the past century.” It is in this context that its single focus and rousing, martial music may be best suited.

Adapted from https://www.umcdiscipleship.org/resources/history-of-hymns-stirring-promises-serves-as-popular-crusade-hymn

 
 

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Have a Safe and Happy Independence Day!

july4-eisenhower

Independence Day, commonly known as the Fourth of July, is a federal holiday in the United States commemorating the adoption of the Declaration of Independence on July 4, 1776, declaring independence from Great Britain.

Independence Day fireworks are often accompanied by patriotic songs such as the national anthem “The Star-Spangled Banner”, “God Bless America”, “America the Beautiful”, “My Country, ‘Tis of Thee”, “This Land Is Your Land”, “Stars and Stripes Forever”, and, regionally, “Yankee Doodle” in northeastern states and “Dixie” in southern states. Some of the lyrics recall images of the Revolutionary War or the War of 1812.

A bit of audio for your listening pleasure, as played by Vladimir Horowitz…

 

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It’s John Wesley’s Birthday!

wesley-quote1787

A UMNS Commentary by the Rev. Robert J. Williams

As John Wesley, the founder of the Methodist movement, grew older, he frequently commented on his birthday how he was still in good health and this was largely due to the way God had blessed him.Wesley was born on June 17, 1703, while England was still using the Julian calendar. England adopted the Gregorian calendar in 1752 and thus Wesley’s birth date became June 28.His birthday reflections give us a glimpse into how he viewed his life, health and ministry. On June 28, 1770, he wrote:I can hardly believe that I am this entered into the sixty-eighth year of my age! How marvelous are the ways of God! How has he kept me, even from a child! From ten to thirteen or fourteen, I had little but bread to eat, and not great plenty of that. I believe this was so far from hurting me that it laid the foundation to lasting health. When I grew up, in consequence of reading Dr. Cheyne, I chose to eat sparingly and drink water. This was another great means of continuing my health, till I was about seven and twenty…; (He then speaks of various ailments.); Since that time, I have known neither pain nor sickness, and am now healthier than I was forty years ago! This hath God wrought!

He started to set a pattern for indicating his age and his good health. One year later, he wrote:

This day I entered the sixty-ninth year of my age. I am still a wonder to myself. My voice and strength are the same as at nine and twenty. This also hath God wrought.

In 1774, he wrote:

This being my birthday, the first day of my seventy-second year, I was considering. How is this, that I find just the same strength as I did thirty years ago? That my sight is considerably better now and my nerves firmer than there were then? That I have none of the infirmities of old age and have lost several I had in my youth? The grand cause is the good pleasure of God, who doth whatsoever pleaseth him. The chief means are: (1) My constantly rising at four, for about fifty years. (2) My generally preaching at five in the morning, one of the most healthy exercises in the world. (3) My never travelling less, by sea or land, than four thousand five hundred miles in a year.

In the intervening 10 years, he repeated these sentiments numerous times, and even in 1784, he wrote:

Today I entered on my eighty-second year and found myself just as strong to labour, and as fit for any exercise of body or mind, as I was forty years ago. I do not impute this to second causes, but to the sovereign Lord of all…; I am as strong at eighty-one, as I was at twenty-one, but abundantly more healthy, being a stranger to the head-ache, tooth-ache, and other bodily disorders which attended me in my youth. We can only say ‘The Lord reigneth’ While we live, let us live to him!

In 1788, after praising God “for a thousand spiritual blessings,” Wesley listed as questions what may be some of the “inferior means” for achieving such good health into old age.

To my constant exercise and change of air? To my never having lost a night’s sleep, sick or well at land or at sea, since I was born? To my having sleep at command, so that whenever I feel myself almost worn out, I call it and it comes, day or night? To my having constantly, for above sixty years, risen at four in the morning? To my constant preaching at five in the morning for above fifty years? To my having had so little pain in my life and so little sorrow or anxious care?

Finally, on June 28, 1790, less than a year before his death, he wrote:

This day I enter into my eighty-eighth year. For above eighty-six years, I found none of the infirmities of old age: my eyes did not wax dim, neither was my natural strength abated. But last August, I found almost a sudden change. My eyes were so dim that no glasses would help me. My strength likewise now quite forsook me and probably will not return in this world. But I feel no pain from head to foot, only it seems nature is exhausted and, humanly speaking, will sink more and more, till ‘The weary springs of life stand still at last.’

As this remarkable man aged, he reflected on God’s blessings and how his lifestyle contributed to his good health. This is but a brief glimpse into his humanity and can call on us to do likewise on our birthdays.

Editor’s Note: This story was first published on June 25, 2012.

*Williams is the top executive of the United Methodist Commission on Archives and History in Madison, N.J.

From http://www.umc.org/news-and-media/marking-john-wesleys-birthday-in-his-words

 

 
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Posted by on June 28, 2023 in Posts of Interest

 

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All about Liturgical Colors

  • Purple, representing both royalty and penitence, is traditionally used during Advent and Lent.
  • Blue symbolizes hope and may also be used during Advent.
  • White and gold are used at Christmas and Easter to symbolize joy and festivities.
  • Red symbolizes the color of fire to represent the Holy Spirit on the Day of Pentecost and times when the work of the Holy Spirit is emphasized. During Holy Week it represents the blood of Christ. Red is also used for ordinations, church anniversaries and civil observances such as Memorial Day and Thanksgiving.
  • Green represents growth and is used during Ordinary Time (the season after Epiphany and the season after Pentecost.)

Let’s start with a word about liturgical colors. You can see listed here that the official color of the long season of Ordinary Time is green. This makes sense for lots of reasons: Ordinary Time is about growing in our faith, about accepting the gifts that we’ve been given, and producing the fruit not just as individual Christians but as the body of Christ. Green is the color of growth and of fruitfulness. There are other reasons why the season claims the color green. Perhaps you and your team can come up with some more and use them to inform the congregation who may never have given thought to why the green paraments are used throughout this season.

We started here, however, because there are those who get bored with a single color in this long season that runs from Pentecost through Reign of Christ/Christ the King Sunday at the end of November. There are so many colors, so much beauty in worship art and God’s creation, why use only one color for this long season? Isn’t this the season after Pentecost? Why can’t we use red for at least a part of the season?

The season of Ordinary Time (or the Sundays after Pentecost—there is no “Pentecost Season”) calls for creativity and artistry. Even if you are using green as a foundational color, there is no reason why you can’t bring in a host of other colors over the season. Green represents life, and life is colorful. So, use more colors; use both/and; use a whole palette of colors to bring to life the worship in Ordinary Time. Think ahead for changing series or themes and find ways to enhance the liturgy with visual expressions of color, not just in paraments, but in banners, worship centers, projected or posted images, and colors. There are ways to move beyond the plain green altar or pulpit fall. Call on artists of all sorts to enhance the space.

Adapted from https://www.umcdiscipleship.org/worship-planning/living-the-spirit-life/second-sunday-after-pentecost-year-c-lectionary-planning-notes

Chuck Knows Church — Episode 1 – LITURGICAL COLORS. Ever walk into your Sunday morning worship service and realize the colors have changed around the sanctuary? That’s why Chuck is talking about Liturgical Colors on his FIRST SHOW!

 

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Hymn History: When in Our Music God Is Glorified

“When in Our Music God Is Glorified”
Fred Pratt Green
UM Hymnal, No. 68

“When in Our Music God is Glorified” was the opening hymn at Pender’s Music Appreciation Sunday on June 11, 2023 It was sung by Pender’s congregation, accompanied on piano by Heidi Jacobs and directed by Brian Stevenson.

 

“When in Our Music God Is Glorified” was played by Pender’s pianist-organist, Liz Eunji Moon at the Traditional Service Postlude on September 11, 2022

Sometimes a great tune can keep a hymn text alive. Sometimes a great text can revive a neglected tune. The latter is true in this case.

Noted British hymnologist John Wilson (1905-1992) suggested that the Methodist poet and hymn writer Fred Pratt Green write a text to the tune ENGELBERG, composed in 1904 by the famous British composer Charles Villiers Stanford (1852-1924).

Stanford’s tune had been well-known in the earlier 20th century until Ralph Vaughan Williams (1872-1958) composed the immensely popular SINE NOMINE in the same metre (sung to “For All the Saints”) for the English Hymnal (1906).

Hymnologist J.R. Watson records that “Wilson urged Pratt Green to write a text for a Festival of Praise . . . which could be sung to Stanford’s neglected tune.” Pratt Green based his text on Psalm 150 but alluded to Mark 14:26 in stanza four of the hymn, a stanza recalling the hymn sung by the disciples at the Last Supper.

The hymn, composed in 1972, first appeared in New Church Praise (1975) and in the single-author collection The Hymns and Ballads of Fred Pratt Green (1982) with the title, “Let the People Sing!”

The opening line (called the incipit) originally read, “When in man’s music, God is glorified. . . .” Pratt Green reluctantly altered this to the current title for the Lutheran Book of Worship (1978) and this change has universally been accepted in North American hymnals.

The Rev. Carlton Young, editor of the UM Hymnal, notes that the change in text, though an important “social witness” in the area of inclusive language, weakens the theological and aesthetic qualities of the hymn: 1) Theologically, “the change tends to weaken the affirmation that mere mortal musicians and their music may and often do glorify God”; 2) aesthetically, the wonderful alliteration between “man’s” and “music” paralleled by “God’s” and “glorified” is lost.

Dr. Young speculates that this “text has probably been set in anthem form more than any other of the late twentieth century.”

Ministry of music

This hymn is groundbreaking in many ways.

There are numerous examples in the history of hymnody where music is a metaphor for some theological theme or experience. In Babcock’s “This Is My Father’s World,” for example, “all nature sings and round me rings the music of the spheres.” Charles Wesley speaks of “the music of the heart” in his paraphrase of Psalm 150, “Praise the Lord Who Reigns Above.”

However, Pratt Green uses music not just as a metaphor that points us to another idea, but explores music-making as a phenomenon in the Christian’s experience in its own right. The second stanza concludes with the marvelous thought that “making music . . . move[s] us to a more profound Alleluia!”

In this way, Pratt Green seems to agree with Martin Luther who said, “Next to the Word of God, the noble art of music is the greatest treasure in the world.” Luther and Pratt Green seem to ascribe a quasi-sacramental quality to music—music as a means of revelation and grace.

Pratt Green (1903-2000) was born in Roby just outside of Liverpool, England. Following his education, he was ordained in 1924 as a Methodist minister and served in various parishes throughout England well into the 1940s. Although he had a long interest in poetry, he did not focus on hymn writing until his retirement from active ministry.

Eminent British hymnologist Erik Routley (1917-1982) suggested that in Fred Pratt Green, Methodists finally had a successor to Charles Wesley.

* Words by Fred Pratt Green © 1972 Hope Publishing Company; Carol Stream, IL 60188. All rights reserved. Used by permission.

Dr. Hawn is professor of sacred music at Perkins School of Theology, SMU.

Adapted from https://www.umcdiscipleship.org/resources/history-of-hymns-when-in-our-music-god-is-glorified

 
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Posted by on June 26, 2023 in Hymn History, hymns, Posts of Interest, Videos

 

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